Larry Rohter at the New York Times relates the darker, more cynical Mark Twain that has emerged through publication of the first volume of his unexpurgated autobiography, a century after his death: “One thing that gets Mark Twain going is his rage and resentment.”
Mark Twain Autobiography
Poetry & the Environment: Answering the Big Questions
"The ideas people project onto me are just that: their projections. And to a certain extent I can choose whether or not to accept them. But these projections also put me in peril, which is why I need to cultivate love. What’s more interesting to me is how I overcome the limiting biases that are projected onto me. If I didn’t discover positive paths, my experiences — and books — would be unbearably devastating. I am always more concerned with the path toward hope and change."
Camille Dungy, esteemed poet and essayist in Sun Magazine answering the big questions on the environment, race, religion and Trump.
Awarding Ageism
“Make no mistake: if you run a prize, a “best of” list, a residency, with age guidelines you can’t fully justify then, however otherwise diverse your awardees, you and your organisation are consolidating racism, sexism, class and gender discrimination.” Joanna Walsh for The Guardian arguing that, by focusing on youth, literary awards and honors tend to reward “those most likely to have money, security, contacts, confidence.” See also our Post-40 Bloomers series, including interviews most recently with Lidia Yuknavitch and Cole Lavalais.
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Raymond Carver Mad Libs
Now you can write your own Raymond Carver story! (via.)
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“The decline of a language must ultimately have political and economic causes”
In 1946, George Orwell wrote that political prose was formed “to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.”
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Recommended Reading: Americca
Recommended Reading: Aimee Bender's short story "Americca" from her newest collection, The Color Master.
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Oxford Marginalia Group
Recommended reading: Lauren Collins writes for The New Yorker about the Oxford University Marginalia group and the fate of bookish scribblings.
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