Larry Rohter at the New York Times relates the darker, more cynical Mark Twain that has emerged through publication of the first volume of his unexpurgated autobiography, a century after his death: “One thing that gets Mark Twain going is his rage and resentment.”
Mark Twain Autobiography
This Writing Life
“I thought there were would be more in this writing life, an easier path to walk. I write those words and know they are the unwise thoughts of my younger self and that I am still too stubborn to give up on my dreams. When Annie Dillard invited me outside for that smoke, she knew very well what it would mean to a young writer like me. She intuited my ambitions and it was her way of encouraging me.” This essay is ostensibly about smoking cigarettes and playing catch with Annie Dillard, but it’s also about the incredibly important role that an established writer can play in helping a struggling up-and-comer.
Lost in the Archives
Charles Petersen traces the fascinating history of the New York Public Library to show the real cost of the planned renovations and the pitfalls of the inevitable digital libraries of the future. Mark Athitakis observes how archives flatten fictions with keywording.
“Adams”
From The Rumpus, a new short (short) story by George Saunders, excerpted from Life is Short – Art is Shorter: In Praise of Brevity, with an introduction by David Shields and Elizabeth Cooperman.
The History of Print
This week in book-related infographics: The History of Print.
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The Gatekeepers
“The state of diversity and equity in publishing is grim and has been for a long time—since the industry’s founding back in the day.” Camille Rankine, Morgan Parker, Year in Reading alumnus Alexander Chee, and seven other writers talk about diversity in publishing.
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Zora Neale Hurston: A Blurred Life
Michael Adno examines the unknown life of Zora Neale Hurston, "maybe the most important American writer to have ever lived."
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Guess Who’s Coming to the Awards Dinner?
Percival Everett wins the Believer Book Award, for I Am Not Sidney Poitier: “a wickedly funny, stunningly imaginative, and wholly original book that addresses, head-on, sex, racism, religion, and wealth in America.”
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