Second Act lists the renowned literary one-hit wonders, including John Kennedy Toole, Sylvia Plath and Ralph Ellison. (via AuthorScoop)
Literary One-Hit Wonders
(Do Not) Steal This Book
Everything you’ve ever wanted to know (but were afraid to ask) about book sales — from what the heck even constitutes a sale, to standard print runs, to author earnings per sale — from Lincoln Michel at Electric Literature.
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There’s Even a Cash Prize
“Without your micro-fiction, we’re like a flightless bird, sauceless noodles, or decarbonated LaCroix. We loved the response to our last contest so much that, naturally, we’re having another one.” Submit your 200-word stories of separation to Paper Darts for its second annual micro-fiction award, judged this time around by Lesley Nneka Arimah (whose What It Means When a Man Falls from the Sky graced our most-anticipated list for the first half of this year).
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The Ear Man
If you have a spare $7,743 dollars lying around, Freud’s couch has fallen into disrepair and could use some restoration.
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Does Hollywood Screw Up Science Fiction?
“Look. There are are only two truly great science fiction movies. The first is Stanley Kubrick’s 2001…The second is Blade Runner…You may disagree with this statement. You would be wrong. Let’s move on.” Damien Walter at Guardian accuses Hollywood of screwing up science fiction.
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Overhearing the Wisdom
Recommended Listening: Poet Rachel Zucker speaks with John Murillo about duende and the ethics of writing poetry.
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Use It Or Lose It
At least two people were not pleased with John Jeremiah Sullivan’s recent cover story in the New York Times Magazine. In a letter to the New York Observer (and an expanded post on Google+), Susannah McCormick – daughter of renowned music historian Robert “Mack” McCormick – alleges that Sullivan and his research assistant “glibly” stole her father’s research in an act of “quasi theft.” In his response, Sullivan asserts that, “by hiding L. V. Thomas’s voice, by refusing for over half a century to credit or even so much as name the two singers who created those recordings while they or their contemporaries were alive, Mack McCormick committed a theft—through negligence or writer’s block or whatever reasons of his own—far graver than my citation of interviews L.V. granted him decades ago.”
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