At the Rumpus, Kathleen Alcott provides a poignant recollection of what she inherited as a writer from her father: “And is it worth it? Was it for my father, is it for me, for nearly every writer I’ve met, whose default answer is ‘Yes’?”
Susan Sontag once wrote that the truest way to portray illness was without metaphor. Our own Marie Myung-Ok Lee takes a look at autism in recent literature and the ways its writers (ranging from Don DeLillo, Jonathan Lethem, and Louise Erdrich) have often reduced those with autism to a literary construct.
Steve Almond at The Rumpus provides a “meditation on editors, ambition, and angry dependence” in reaction to the media’s coverage of the suicide of Kevin Morrissey, managing editor of The Virginia Quarterly Review.
Recommended Reading: Robert Macfarlane at The Guardian on what it means to be living in the Anthropocene age–in which human influence on the planet is permanent and profound–and how our writers and artists are responding to the crisis.
New this week is David Bezmozgis’s The Free World, the new Geoff Dyer collection of criticism Otherwise Known as the Human Condition (reviewed here today), “Professor X’s” higher ed expose In the Basement of the Ivory Tower, Funeral for a Dog, a German novel in translation by young author Thomas Pletzinger, which John Wray has blurbed as “ballsy,” and Chinaberry, a posthumously published novel by the Appalachian author James Still.