It’s been a year since Nobel laureate and Irish poet Seamus Heaney passed away. His publishers are releasing a final collection of his poetry in November. In The Irish Independent, a brief retrospective on Heaney’s legacy, which includes his wife’s unique way of expressing her gratitude to his friends. You could also read Trent Morris’s tribute to Heaney for The Millions.
“‘What pleases the PUBLIC is always what’s most banal,’ he wrote to his brother in 1883. But nowadays Van Gogh pleases the public enormously. So has he become banal?” Julian Barnes reflects on Van Gogh’s life and work and how our perception of him has changed over time in a London Review of Books podcast. Interested in contemporary art? Check out our own Bill Morris’s piece on the Whitney Museum.
“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
“Fifty Shades of Grey follows this long history of class ascendancy via feminine wiles, but does so cleverly disguised as an edgy modern bodice-ripper,” writes Heather Havrilesky in the latest issue of The Baffler. Throughout the piece, Havrilesky explores the way luxury brand fetishism and conspicuous consumption fueled E.L. James’s “female-friendly” pornography phenomenon