Anya Ulinich, author of Petropolis, talks to World Literature Today: “What else can a person do when she gets home after a ten-hour work day – with a toothache that she can’t afford to fix . . . – but fall on the couch and watch whatever is in front of her face?” . . . Lydia Davis, whose Collected Stories is just out, talks to Sarah Manguso for The Believer: “At the origin of the work there has to be strong feeling, if it’s going to be any good. Of course, that strong feeling can be a delight in language.” . . . The Book Bench unearths a 1978 John Updike interview with a Croation periodical, which finds the Rabbit Angstrom author halfway through his tetralogy. . . . Edwin Frank of NYRB Classics talks to Omnivoracious, and selects his favorite books in the series (via). . . . And James Ellroy submits to interrogation at The Paris Review: “I was always thinking about how I would become a great novelist.”
A recent survey of 19th century British literature uncovered advertising subtly placed within classic texts by authors like Dickens, Austen, and Thackeray. From Vanity Fair, for example: “‘My sisters say she has diamonds as big as pigeons’ eggs,’ George said, laughing. ‘How they must set off her complexion! Surely she avails herself of Madame A.T. Rowley’s Toilet Mask (or Face Gloves)…’” (via Book Bench)
Have you visited the legendary Shakespeare and Company bookstore in Paris? Were you aware that bookstore you visited is not actually that same legendary Shakespeare and Company? Erin Zaleski at The Daily Beast takes a look at the history of this literary institution of the Lost Generation.
Guernica’s latest issue is devoted to the American South. As the issue’s introduction states, “The American South is at once a geographical distinction and a bright spot in the imagination, where burden vies with birthright, and where ignorance and renaissance exist side by side.” The issue features a Kiese Laymon essay on inequality and language, Ed Winstead on the Southern accent in writing, an interview with Jesmyn Ward, fiction, and more.