It’s a source of hair-pulling anxiety for artists of all kinds: how can you hold down a day job yet commit yourself to your art? It’s undoubtedly possible, but it’s daunting enough that apprentice writers often need advice on how to do it. Herewith, six artists (including writers Catherine Lacey and Shane Jones) explain how they pull it off. Related: Cathy Day on making a living as a writer.
You may have not known there’s a national arm wrestling championship. Joshua Davis found out when he saw an eye-catching flyer. When he found himself drafted onto Team USA, he turned the experience into his first big magazine piece. At The Rumpus, an interview with the author of Spare Parts.
South Floridian bandits, fishermen, drunks, madmen, and college students are mourning the imminent demise of beloved Miami institution, Jimbo’s. The site of the “Who Lets The Dogs Out” video, the Flipper movie starring Elijah Wood, and a couple iterations of the now-defunct Swampstomp music festival, Jimbo’s defied summation. Put simply, you had to see it yourself. The way I always explained it to my friends up North was by telling them it was like The Rum Diary met CBGB’s and Will Smith’s “Miami” video. Still, even that’s insufficient, so I recommend reading the Miami New Times‘ epic chronicle of the place’s history.
It’s not online but “The Boy Who Had Never Seen The Sea” by newly named Nobel laureate Jean-Marie Gustave Le Clézio appears in this week’s New Yorker. See our recent guest post about publishing Le Clézio.In last week’s New Yorker, Malcolm Gladwell was back, this time talking about “genius.” His guinea pigs were Ben Fountain and Jonathan Safran Foer.The headline says it all: “Karl Marx’s book sells as Germany economy sinks.””The _______of________“The fall issue of The Quarterly Conversation has arrived.