Which dystopian future is right for you? Kurt Vonnegut’s? George Orwell’s? Margaret Atwood’s? Take Flavorwire’s simple quiz to find out!
Writing in the London Review of Books (Reg. Req.), Evgeny Morozov clued me onto how “scientists at UCLA – with funding from the Chinese government – have built an ‘image to text’ system that automatically produces text summaries of what is taking place in captured video.” A similar technology was also developed by NYU student Matt Richardson, whose “descriptive camera” can “automatically describe the scene in a camera’s viewfinder, which, when the image was uploaded, would make it easier to find.” Meanwhile one Twitter is describing typical Instagram shots in 140 characters or fewer.
“I can tell you that, as of today, I don’t feel any different about Mr Whitehead, or his review, or my response.” Richard Ford doubles down on his reaction to a negative 2001 review by fellow novelist Colson Whitehead. (Said response, in case you missed it, was to tell Whitehead ‘you’re a kid, you should grow up,’ and spit in his face.) We hope Whitehead is laughing at home with his Pulitzer Prize, recently awarded for last year’s literary juggernaut The Underground Railroad. And as our own Emily St. John Mandel reminds us, there are far more gracious ways to respond to criticism.
In 1962, Samuel Beckett wrote “Play.” Originally intended to be a stage production, the piece has now been adapted as a short film starring Alan Rickman, Kristin Scott-Thomas and Juliet Stepherson. Come for the Beckett writing (full text can be found here), but stay for the disembodied heads-in-urns.
As part of their ongoing efforts to monopolize all kinds of waterfowl, the good folks at Penguin, headed by the editor Jonathan Bell, have dug up old covers from the company’s defunct imprint, Pelican. The Guardian set up a slideshow that lets you scroll through a selection.