Millions writer Sonya Chung has a trenchant essay up at Huffington Post on the topic of writing and motherhood: “Art Before Life: Questioning the Parenthood Question.”
Appearing Elsewhere
It Might as Well Be Sentient
This is really happening: In February, an IBM-programmed computer will take on former champions (including Ken Jennings) in three games of Jeopardy. (via)
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Graphic Pains
Over at Public Books, Jared Gardner explores the theme of pain and illness at the heart of many graphic narratives. As he explains it, “Illness, mental and physical, is arguably comics’ invisible master theme, deeply woven into their genome and shaping the stories they tell, from the earliest newspaper strips (chronic allergies in Winsor McCay’s Little Sammy Sneeze) through the rise of superhero comics (from Batman’s PTSD in 1939 through the Fantastic Four’s radiation poisoning in 1961).” Pair with Paul Morton’s Millions piece on the history of Marvel Comics.
Old-Fashioned
“And now, as an adult, I love nothing more than curling up with a good book, closing my eyes, breathing in through my nostrils, keeping my eyes closed and not reading yet continuing to draw in oxygen for hours, and, thanks to my fetishized olfactory associations for printed and bound matter, becoming sexually aroused.” On the scent that no e-reader can ever replace.
A Logical Fit
The Guardian posted a helpful Q & A to shed light on a great mystery: why is Penguin Classics publishing Morrissey’s autobiography?
Good Intentions
“To make money, I’m planning on teaching English, or coaching recreational soccer, or something. But that’s not important because apartments are cheap, and that part, kicking around a ball, or helping Thai children have a better command of the English language, even though I don’t speak a word of Thai, will probably only be a chapter in my book. Those things will provide some nice blog-potential details, too. They’ll show the texture of my everyday life.” Travelling to the East for the sole purpose of writing a memoir.
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Filing Fees and Free Shipping
“As I got older, the Nigerian scam artist turned into a meme. The ‘Nigerian prince’ became a joke tossed around by white people with the same ease that ‘Italian mobster’ jokes were likely tossed around in the ‘70s—but aided now by the internet. Whenever I came across casual references to my people as scam artists, I’d wince. There was more to us than the scam. Hell—there was even more to the scam.” On how novelist Teju Cole helped Ijeoma Oluo make peace with the Nigerian scam artist.
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An Interview in the Worst Way
We Are Champion, a handsome new online literary magazine promulgating “what Donald Barthelme called “back-broke” sentences,” features an interview with the great Gary Lutz.
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