Millions writer Sonya Chung has a trenchant essay up at Huffington Post on the topic of writing and motherhood: “Art Before Life: Questioning the Parenthood Question.”
The Millions is thrilled to welcome Kirstin Butler as our new Social Media Manager. Kirstin got her start in books at the Harvard Book Store and has worked on projects for Slate, MTV Networks, and a variety of other outlets. She’s a writer with bylines at places like The Atlantic and The New Republic, and a novel is in the works. Find her online here, and of course, on The Millions‘ feeds.
Have you ever tweeted only to delete it a minute later after discovering a typo? Yes, even we aren’t immune. At The New Yorker, our own Mark O’Connell examines the public humiliation that follows after you tweet something regrettable. Pair with: Our piece on literary Twitter’s first tweets.
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”
“Hill had maintained a daily writing routine since age 13, completing four or five books as a teen and four more as an adult, and was now, at the cusp of 35, finally putting out a novel—a ghost story.” GQ profiles Joe Hill about his writing, being the son of Stephen King, and finding success in his own right. From our archives: our own editor Lydia Kiesling‘s essay on King, nostalgia, and America.