Millions writer Sonya Chung has a trenchant essay up at Huffington Post on the topic of writing and motherhood: “Art Before Life: Questioning the Parenthood Question.”
Appearing Elsewhere
The Women Warriors
“As I read her words, I experienced a feeling previously unknown to me: recognition. I had always turned to books for pleasure, as portals to other places. Reading The Woman Warrior, for the first time I saw myself on every page and in every word.” For Catapult, Alexis Cheung writes about representation, being an Asian-American writer, and reading and interviewing Maxine Hong Kingston. From our archives: Kingston’s work was featured in Alexander Chee‘s 2015 Year in Reading.
Babies (And Their Parents) Prefer Paper
E-books may be gaining market share in a lot of demographics, but there’s one age-group in which paper still reigns supreme: toddlers.
L’Affaire Martel
In the HuffPo, the proprietors of San Francisco’s Booksmith defend Yann Martel‘s Beatrice and Virgil…sort of. I feel like I’m having Kindly Ones déja vü.
Tuesday New Release Day: Bock; White; Rogan; O’Connor; Tempest
Out this week: Alice & Oliver by Charles Bock; Our Young Man by Edmund White; Now and Again by Charlotte Rogan; Thomas Jefferson Dreams of Sally Hemings by Stephen O’Connor; and The Bricks That Built the Houses by Kate Tempest. For more on these and other new titles, go read our Great 2016 Book Preview.
●
●
Tuesday New Release Day: Kiefer; de los Santos; Mitchell; Ferguson; Yglesias; Bhutto; True, Quade; Dostoevsky
Out this week: The Animals by Christian Kiefer; The Precious One by Marisa de los Santos; A Reunion of Ghosts by Judith Claire Mitchell; The Lost Boys Symphony by Mark Andrew Ferguson; The Wisdom of Perversity by Rafael Yglesias; The Shadow of the Crescent Moon by Fatima Bhutto; The Wednesday Group by Sylvia True; Night at the Fiestas by Kirstin Valdez Quade; and Notes from a Dead House, a new Dostoevsky translation by Richard Pevear and Larissa Volokhonsky (whom we’ve interviewed). For more on these and other new titles, check out our Great 2015 Book Preview.
●
●
Voting is open for the 3QD Prize
Voting is open for the 3 Quarks Daily Literature Prize! We are proud to tell you that nine essays from The Millions have been nominated, alongside over 50 other worthy contenders. Take a look, and don’t forget to cast your vote!
●
●
That Was How He Was
“The last line of Saul Bellow’s ‘A Single Dish’ is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep.” Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
●
●