Millions writer Sonya Chung has a trenchant essay up at Huffington Post on the topic of writing and motherhood: “Art Before Life: Questioning the Parenthood Question.”
Appearing Elsewhere
The Women Warriors
“As I read her words, I experienced a feeling previously unknown to me: recognition. I had always turned to books for pleasure, as portals to other places. Reading The Woman Warrior, for the first time I saw myself on every page and in every word.” For Catapult, Alexis Cheung writes about representation, being an Asian-American writer, and reading and interviewing Maxine Hong Kingston. From our archives: Kingston’s work was featured in Alexander Chee‘s 2015 Year in Reading.
Babies (And Their Parents) Prefer Paper
E-books may be gaining market share in a lot of demographics, but there’s one age-group in which paper still reigns supreme: toddlers.
L’Affaire Martel
In the HuffPo, the proprietors of San Francisco’s Booksmith defend Yann Martel‘s Beatrice and Virgil…sort of. I feel like I’m having Kindly Ones déja vü.
Tuesday New Release Day: Bock; White; Rogan; O’Connor; Tempest
Out this week: Alice & Oliver by Charles Bock; Our Young Man by Edmund White; Now and Again by Charlotte Rogan; Thomas Jefferson Dreams of Sally Hemings by Stephen O’Connor; and The Bricks That Built the Houses by Kate Tempest. For more on these and other new titles, go read our Great 2016 Book Preview.
Tuesday New Release Day: Kiefer; de los Santos; Mitchell; Ferguson; Yglesias; Bhutto; True, Quade; Dostoevsky
Out this week: The Animals by Christian Kiefer; The Precious One by Marisa de los Santos; A Reunion of Ghosts by Judith Claire Mitchell; The Lost Boys Symphony by Mark Andrew Ferguson; The Wisdom of Perversity by Rafael Yglesias; The Shadow of the Crescent Moon by Fatima Bhutto; The Wednesday Group by Sylvia True; Night at the Fiestas by Kirstin Valdez Quade; and Notes from a Dead House, a new Dostoevsky translation by Richard Pevear and Larissa Volokhonsky (whom we’ve interviewed). For more on these and other new titles, check out our Great 2015 Book Preview.
Voting is open for the 3QD Prize
Voting is open for the 3 Quarks Daily Literature Prize! We are proud to tell you that nine essays from The Millions have been nominated, alongside over 50 other worthy contenders. Take a look, and don’t forget to cast your vote!
That Was How He Was
“The last line of Saul Bellow’s ‘A Single Dish’ is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep.” Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.