Amazon has partnered with the Wylie Agency to acquire exclusive ebook rights to 20th century classics by the likes of Philip Roth, Salman Rushdie, Saul Bellow, Norman Mailer, Louise Erdrich, John Cheever, Hunter S. Thompson, William S. Burroughs, Orhan Pamuk, V.S. Naipaul, Martin Amis, and Jorge Luis Borges. The venture is called Odyssey Editions. These books will be available in ebook form exclusively on the Kindle for the next two years.
The website Victorian Serial Novels lets you experience 19th-century novels “serially and in their cultural contexts.” Select your author, the timespan within which you want installments to come, and enjoy.
How to choose what to read first? Not to worry, these six Dickensian experts have you covered.
There’s an old story that states that Marcel Proust met James Joyce for five unremarkable minutes at a dinner party. Artistically significant though it may have been, it had less geopolitical significance than another famous meeting a hundred years earlier, in which Napoleon went out of his way to pay a visit to Goethe. As a new biography of the French emperor details, Napoleon couldn’t understand why Goethe admired Shakespeare.
Dr. Seuss Went to War: A Catalog of Political Cartoons by Dr. SeussThe Philadelphia Inquirer profiles Joseph O’Neill (via).A primer from Bookride for using the web to check the values of old books. “The first thing to remember is that most books are of low value or no value. Some books are worth less than nothing.”The second issue of Wag’s Revue is out, featuring an interview with T.C. Boyle.For fans of The Wire, issue four of darkmatter Journal analyzes the series with essays like “The Politics of Brisket: Jews and The Wire” and “The Subversion of Heteronormative Assumptions in HBO’s The Wire“.The Rumpus gets listy with George Pelecanos’ favorite WesternsThe Second Pass follows up on our “Most Anticipated” list with a few more books to look forward to.
Recommended Reading: From The New Yorker, it’s Tessa Hadley on fiction as anthropology: “When I’m writing a story, its world is thin, unsatisfactory, untrue, until I start to find my way to those details, those ‘small cultural signifiers.’ As these accumulate on the page, the life in the piece thickens, the details breed, and the story begins to stir.”