Heading to London in the near future? Stop by the British Library’s new Terror and Wonder, which bills itself as the UK’s biggest Gothic exhibition in history. To whet your appetite, you can read this Guardian piece by Neil Gaiman, in which the Sandman author names Mary Shelley’s Frankenstein the apex of Gothic fiction. Related: our own Hannah Gersen on Frankenstein and the “Year Without a Summer.”
Sasha Frere-Jones, who you may know from his work at The New Yorker, has listed his favorite albums of 2011, and even put together a Spotify playlist of some of his favorite singles. Isn’t that nice of him?
“It all adds up to a fascinating portrait-of-the-artist-on-the-make in the booming 1950s. And it makes you wish the stories were better.” Year-in-Reading alum Jess Walter reviews a new (911-page) collection of stories by Kurt Vonnegut. See also: “2 B R 0 2 B”, a “lost” Vonnegut story that first appeared in the sci-fi journal Worlds of If in January 1962.
Michael Wolff’s palace intrigue book Fire and Fury: Inside the Trump Whitehouse has dominated the news cycle this week. After receiving a cease-and-desist letter, publisher Henry Holt and Co. responded by pushing the publication date up four days. Currently #1 on Amazon’s Bestseller list, many independent booksellers say they have sold all their copies as well.
Recommended reading (and doodling): an excerpt from an upcoming translation of Martin Solares‘s How to Draw a Novel, complete with diagrams and squiggling lines. Pair with our own Hannah Gersen‘s look at authors’s methods for drawing and mapping their own novels-in-progress.
Joel Rice has a new column up at McSweeney’s, in which he looks at “the literature of skateboarding.” All in all, this kind of reflective writing should pair nicely with Nick Courage’s fantastic Paris Review piece from last month. (Bonus: Rice’s column linked above also features a nice little bit of David Foster Wallace memorabilia.)