When Good Things Happen to Bad People: Heart Advice for Difficult Times. On one of our favorite industry blogs, The Rejectionist weighs in on one of publishing’s perennial problems: what to do when someone really foul ends up being way more successful than you are.
"The last line of Saul Bellow's 'A Single Dish' is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep." Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
Recommended viewing: Tobias Wolff tried to convince Stephen Colbert that The Catcher in the Rye is J.D. Salinger's best book. "Do we need to be reinforcing our kids' bad behavior as teenagers with the idea they could be a character in a great novel? Dad, I wasn't disobeying you, I was exploring modes of alienation," Colbert joked.
"Every culture has its monsters," and Jason Diamond writes about the Headless Horseman and one of the oldest American horror stories for Electric Literature.
Out this week: Homegoing by Yaa Gyasi; Rich and Pretty by Rumaan Alam; They May Not Mean To, But They Do by Cathleen Schine; Lily and the Octopus by Steven Rowley; and End of Watch by Stephen King. For more on these and other new titles, go read our Great 2016 Book Preview.