On the occasion of the publication of his novel The Madonnas of Echo Park, Brando Skyhorse writes about the decades-long path that got him there and the rules for writing that he devised. (Thanks, Steve)
The Long Road
Cormac McCarthy’s Typewriter
On Friday, Christie’s will be auctioning off Cormac McCarthy‘s Olivetti manual typewriter, which he’s had since 1963. Looks like you need to make sure you’ve got at least $15,000 in your checking account if you plan on bidding. (NY Times article here)
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Tuesday New Release Day
A Visit from the Goon Squad by Jennifer Egan drops today. Our review. Also out recently are Walks With Men, a novella by Ann Beattie, and The Particular Sadness of Lemon Cake, a novel from Aimee Bender. This week also sees the long-awaited posthumous publication of Henry Roth’s An American Type. Another recent posthumous publication: Robert Walser’s mysterious Microscripts.
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Ah, the Humanities!
Nicholas Dames is a wonderful writer, and I suggest you read his essay on the “crisis” in the Humanities.
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Writing Like a Reader
Over at Catapult, Lynn Steger Strong writes on writing a novel that readers will read. As she puts it, “I was trying to explore the specific experience of living in the world while also living largely, sometimes to one’s own detriment, inside of books, inside one’s head.” Also check out this Millions piece, featuring six writers looking back on their first novels.
Catton Craze
Eleanor Catton just became the youngest person ever to win a Man Booker, but we were fans of her long before. Our own Emily St. John Mandel included Catton’s debut novel The Rehearsal on her list of disorienting reads. Paul Murray also recommended the book on his 2012 Year in Reading.
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Stephen King Talks about a New Story
Stephen King talks to James Parker of The Atlantic about how his new short story came to be, his writing process, and the state of fiction today. He also manages to work in his opinions on Judas Priest and Metallica. Read “Herman Wouk is Still Alive” here.
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Brooklyn Boys I
His new novel, Sunset Park, finds Paul Auster leaving behind the metafictional gamesmanship of his recent work for a look at our new Age of Austerity. This week, he talks to The L Magazine about the neighborhood from which it takes its title and inspiration…
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