On the occasion of the publication of his novel The Madonnas of Echo Park, Brando Skyhorse writes about the decades-long path that got him there and the rules for writing that he devised. (Thanks, Steve)
Rachel Rosenfelt, Editor in Chief of The New Inquiry, gets interviewed by Evan Kindley, Managing Editor of the Los Angeles Review of Books. In their conversation, Rosenfelt reveals that TNI‘s prevailing editorial principle is: “Is this boring? Is this safe? If the answer is yes, then it’s not for us.”
Callie Collins sits down with Emily Bell, the editor of Farrar, Straus, and Giroux Originals, in the latest issue of Midnight Breakfast. Bell also published Lucia Berlin’s recent story collection A Manual for Cleaning Women. Bell states: “The voices I publish, they’re not trying to please their readers.”
Punctuation can be as important as the prose. At Vulture, Kathryn Schultz discusses the five best punctuation marks in literature. The list includes this delightful parenthetical from Lolita, “My very photogenic mother died in a freak accident (picnic, lightning) when I was three…”
Last week, I pointed readers to a speech by the late James Salter, reprinted by The Paris Review Daily in tribute to the writer after his death. For a fan appreciation, you can read Kevin Lincoln in Hazlitt, who leads his piece with the observation that Salter “wrote sentences you could unfold into paper lanterns.” Pair with our own Sonya Chung’s review of Salter’s All That Is.