Proof of a publishing feeding frenzy: It’s big news that a bunch of manuscripts that the late Stieg Larsson wrote when he was 17 have turned up.
Stieg Larsson-mania
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At Home with Sara Borjas
In an interview with Leticia Urieta, poet Sara Borjas reflects on writing about love, family, and identity, as well as building a Latinx community.
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The Art of Rejection
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Writing the Self
Laura Bennett writes for Slate about how personal essays are taking over the internet. “I think there is just a very fine line between providing a platform for these writers and exploiting them,” says one editor.
What Is It Good For?
“War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say … War can be a subject, like any other, and it can be written about well, and it can be written about poorly.” Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
Women at War
From The Things They Carried to Billy Lynn’s Long Halftime Walk, veteran literary fiction has always been popular, yet women are almost nowhere to be found in war literature. At The New York Times, Cara Hoffman argues that leaving women out of combat literature makes returning from war even more isolating. “They would be made visible if we could read stories that would allow us to understand that women kill in combat and lose friends and long to see their children and partners at home.”
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