Last Thursday’s Goodreads event hosted by Patrick and featuring Emily Mandel and attended by myself and several other Millions writers and alums got written up in the Wall Street Journal. I’m told that there is a photo of yours truly in the print version, but a hard copy of the WSJ is hard to come by here in the woods. Also, Clancy Martin likes The Millions and some other great sites!
“Video games are worth loving, but loving them comes with shame. Not passing regret or social embarrassment, but a sharp-edged physical guilt: the hunch-backed, raw-fingered, burning-eyed pain that comes at the sad and greasy end of an all-night binge. You have ostentatiously, really viciously wasted your life; you might as well have been masturbating for the last nine hours—your hands, at least, would feel better.” Gabriel Winslow-Yost reviews the best “homemade” video games for n+1.
In conversation with New Yorker writer Jia Tolentino, Swing Time author Zadie Smith explained why she doesn’t engage in social media: “I want to have my feeling, even if it’s wrong, even if it’s inappropriate, express it to myself in the privacy of my heart and my mind. I don’t want to be bullied out of it,” according to the the Huffington Post. Read Sarah Labrie‘s essay on social media anxiety from our archives.
Sundog Lit is putting together their first theme issue, and it’s going to be all about “Games” of all types: video games, baseball games, Game of Thrones, etc… Fittingly, their guest editor for this issue will be Level End author Brian Oliu. Submission deadline is June 1st. If you need a little inspiration, you should check out Adrienne LaFrance’s take on MoMA’s video games exhibit.
This week saw the release of Vanishing Point, Vol. II: Songs of the Living and Dying. You may recall my earlier mention of the Vanishing Point project, which was recently borne out of Duke University’s Center for Documentary Studies. This time around, the publication boasts a redesigned appearance, and it features articles and essays about midwifery in Mali, the intersections between poetry and cinema, and a view of Walden Pond that you’ve never seen before — all presented with accompany visual material, and all produced by university students. This is outstanding stuff, and it’s well worth your time.
Now that NPR has begun fact checking his work, it’s come to light that David Sedaris is a liar. Or, he sort of embellishes. His work is ‘realish.’ So basically, he tells stories. On NPR. Which is feeling pretty sensitive abut the line between truth and truthiness after the Mike Daisey upset.