Bookseller and blogger Emily Pullen discusses the e-reading experience in this morning’s Shelf Awareness: “I have noticed that when I read on the device, my attention span is somewhat short. I rarely read for more than an hour–usually about 20 minutes. It’s not because it is uncomfortable for my eyes or my hands. Instead I just don’t get as immersed.”
Anne Fernald’s two posts about her grandmother’s editions of Virginia Woolf are a treat.Gwenda Bond of Shaken and Stirred landed on NPR over the weekend to talk about the 100th anniversary of Anne of Green Gables, in honor of which the Modern Library has put out a new edition.The Oxford Project: “In 1984, photographer Peter Feldstein set out to photograph every single resident of his town, Oxford, Iowa.” It’s a neat sounding photo book, reminiscent of La Porte, Indiana.Under 30? Really good at writing book reviews? You should enter VQR’s Young Reviewers Contest.It’s an alarm clock that wakes you up with the voice of Stephen Fry in the character of Jeeves. You can listen to all the recordings at the site. An example: “Let us seize the day and take it roughly from behind… as the Colonel used to say in his unfortunate way.”
If you’re looking forward to the next Margaret Atwood novel, you’ll have to wait a century. Atwood is the first author to participate in the Future Library project, in which 100 authors will write 100 original manuscripts to be published 100 years from now. We’re envious of our grandchildren. If you’d like an Atwood fix sooner, her short story collection Stone Mattress: Nine Tales comes out next week.
Cage the Elephant is considered one of the best young indie rock acts today, but the band got its start in the burgeoning music scene in Bowling Green, Kentucky. Sometime Millions contributor Craig Fehrman wrote a Kindle Single on Cage the Elephant and its influential hometown, Home Grown: Cage the Elephant and the Making of a Modern Music Scene. You can read his past Millions essays on the history of literary Time covers, Lewis Hyde’s understanding of intellectual property, and an ethnography of readers at Borders.