Bookseller and blogger Emily Pullen discusses the e-reading experience in this morning’s Shelf Awareness: “I have noticed that when I read on the device, my attention span is somewhat short. I rarely read for more than an hour–usually about 20 minutes. It’s not because it is uncomfortable for my eyes or my hands. Instead I just don’t get as immersed.”
Recently, it seemed hard to find a book not blurbed by Gary Shteyngart. He did blurb 150 books in the past decade. Yet now the author has decided to mostly retire from blurbing, he announced in The New Yorker. “Literature can and will go on without my mass blurbing. Perhaps it may even improve.” Pair with: Our own Bill Morris’s essay on whether or not to blurb.
You may have heard that our own Emily St. John Mandel has a new book on shelves. The book depicts a post-apocalyptic future in which a group of nomadic actors deal with the aftermath of a devastating flu pandemic. Claire Cameron (who’s also written for The Millions) reviews the book for The Globe and Mail.
How do we map our experiences? Where You Are (our review) attempts to answer this but ends up raising an interesting relationship between print and online story space. At Music & Literature, Reif Larsen traces the history of interactive books and contemplates the future of online story space. “Considering print books have been around for over five hundred years, online publishing is still in its infancy. Much of the map remains blank.” Pair with: Larsen’s essay on the power of the infographic.
Denmark has a new superstar, and he’s a poet named Yahya Hassan. At 18, Hassan has published a poetry collection that sold 100,000 copies in three months — a figure that, in Denmark, translates to one copy for every fifty residents. At the LARB, Pedja Jurisic delves into the young poet’s incendiary politics.
In 1998, not long after publishing his first novel, Dan Brown paid a visit to an English class at Phillips Exeter. Among the students in attendance that day was future New Yorker editor Joshua Rothman, whose fragmented recollection of Brown’s appearance turned into an instructive tale about “memory and its tricks.”
You may have heard us mention Electric Literature’s Recommended Reading project recently. It’s a great new venture in which short stories are selected by other prominent writers — and it’s recently surpassed its fundraising goal. Now, they’ve even combined the project with one of their most beloved classics: Single Sentence Animation. Check out this little ditty to accompany Ben Marcus’s “Watching Mysteries With My Mother” and, of course, check out their Kickstarter page.