Sam Tanenhaus, musing about the New Yorker “young writers” list points out that, far from being a writer’s formative years, many of the great classics in literary history were penned by writers in their 30s, or younger.
Are Young Writers in Their Prime?
The Paris Review’s Roundtable
Paris Review editor Lorin Stein sat down alongside James Salter, Mona Simpson, and John Jeremiah Sullivan to discuss the magazine’s sixtieth anniversary with Charlie Rose. At one point Stein admits that, “If you wrote about sex the way Jim [Salter] writes about sex … in nonfiction, you would be a sociopath.” (Bonus: Stein writes about John O’Hara for The New Yorker.)
Summer Book Sale
New York Review Books is having a Summer Sale, featuring heavily discounted works by Mavis Gallant (who we’ve reviewed and whose books appear in several of our articles), Balzac and many others. There’s even a Bird Lovers’ collection, for anyone wanting to read all about falcons and something called a goshawk.
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In Which F. Scott Fitzgerald Gets Compared to The Beach Boys’ Brian Wilson
Kirk Curnutt takes readers on a tour of of F. Scott Fitzgerald’s oft-neglected commercial short fiction. Fitzgerald, after all, “produced 160 short stories [in his life],” writes Curnutt, “earning a total of $241,453 off the genre — more than $3 million in today’s dollars.” Yet the author didn’t think highly of the work, and even referred to himself as an “old whore” because he wouldn’t quit.
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And Now for Some Humor
In which Dr. Indiana Jones is regrettably denied tenure because “his timeliness in grading and returning assignments was a concern.”
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Waywords and Meansigns
Recommended listening: Waywords and Meansigns, a new project that’s set out to record Finnegans Wake in its entirety and set it to music. The complete work will be released on May 4th, but there are already a few samples available online.
Mangrove Opens Submissions Nationally
Are you an undergraduate who writes? Do you know one who does? This year, my alma mater’s literary magazine is accepting submissions from undergraduates even if they don’t attend the University of Miami. Check out its blog for details.
Terrific piece. I wonder whether some of this has to do with a change in how people become writers. Many of the authors in the top 20 have MFAs. So: They get a bachelor’s in something, then they either go into grad school, or perhaps take a few years off to work, then go into grad school. Grad studies are basically a form of apprenticeship. Today’s writer is often in his or her late 20s or 30s before making substantial story/book sales. In olden times (a couple decades or so ago), the person started doing serious writing sooner, I suspect.
I’d prefer the budding writer to spend more of their 20s working shitty jobs, traveling, and otherwise having experiences rather than sitting in more classrooms, no matter how how many encouraging mentors they might collect or however much networking they might do in those programs.
I didnt realize this at all, so from that standpoint the article was pretty eye opening. Authors creative peak mirroring an athletes physical peak, in roughly the same age groups.