Sam Tanenhaus, musing about the New Yorker “young writers” list points out that, far from being a writer’s formative years, many of the great classics in literary history were penned by writers in their 30s, or younger.
A startling conclusion from this data visualization of where in words each letter of the alphabet tends to fall: “the most common word may be ‘the, but the most representative word is ‘toe.’ ” (Also available: detailed methodology and algorithms for the data geeks; an explanation of data-viz as a narrative form for everyone else.)
In her review of Joe Wright’s cinematic adaptation for Leo Tolstoy’s Anna Karenina, Amanda Shubert writes, “Anna Karenina (2012) is, in fact, a mess. But it’s the kind of mess probably only Wright could make.” She goes on to look at how Wright has adapted work by Jane Austen and Ian McEwan, and how he has continued to face the problem of representing literary style (and form) on the screen.
“It all started with A Is For Alibi, then came B Is For Burglar, C Is For Corpse and on and on through the alphabet.” NPR interviews Sue Grafton about her Kinsey Millhone series, currently spanning 25 letters – the newest and penultimate entry, Y for Yesterday, comes out today – and 35 years. Pair with Ujala Sehgal‘s list of five crime novels where women are the true detectives.
On the heels of a New Mexico school district banning Neverwhere because a mother considered it “R-rated,” Neil Gaiman delivered a lecture for the Reading Agency about the importance of libraries and reading for children. “It’s tosh. It’s snobbery and it’s foolishness. There are no bad authors for children, that children like and want to read and seek out, because every child is different,” he said about banning books.
ICYMI Colin Kaepernick was named GQ‘s 2017 Citizen of the Year a few weeks ago. In light of this honor two of his closest friends “have compiled a list of ‘Freedom Dream’ resources spanning close to two centuries—including books, essays, films, documentaries, songs, and museums—that can help readers, viewers, and listeners to understand race as the central political, cultural, economic, social, and geographic organizing principle of our nation, past and present. For it is only when we acknowledge the centrality of race in dictating the outcomes of life and death in the United States can we begin to work toward meaningful forms of racial justice.” Find the books, music and movies that helped inspire Kaepernick (and that will enlighten you too) here.