The New York Times explains why, despite Steve Jobs’ assertion yesterday, Apple’s iPad is most definitely not responsible for 22% of e-book sales since the iPad came out.
“Every story that works gets the level of description that it needs. Which isn’t to say that the level of description needed for every successful story is the same.” Tobias Carroll surveys the wide variety of detail density in fiction for Electric Literature.
Last week, I pointed readers to an article about Michael Faber’s latest book and his decision to quit writing fiction. Now, in the Times Book Review, Marcel Theroux sizes up the novel, writing that “the reader is drawn through the book effortlessly, by the combination of incidental strangeness and the suspenseful handling of plot.”
The recent release of the transcription and accompanying CDs of Jacqueline Kennedy’s interviews with Arthur M. Schlesinger, Jr. in 1964, less than four months after her husband’s assassination, have left a writer wondering why nobody talks about Jackie O for who she really was – a mean girl.
“For a while, shortly after I finished an undergraduate creative writing course, everything I wrote started with an observation or a realization…I was going to be an essayist, and it was going to be awesome.” At The Morning News, Martin Connelly writes about how he lost his drive to become an essayist and the surprising thing that makes him want to start again — his daughter. For more on the power of the essay, read our interview with Leslie Jamison.