Vanity Fair’s latest cover is proof that we live in an era in which men have the privilege of being just as objectified as women. Nominally a celebration of the 2010 World Cup that kicks off in South Africa in June, the magazine’s gay porn-ish cover features soccer superstars Didier Drogba of the Ivory Coast and Portugal’s Christiano Ronaldo in nothing but their flags, photographed by Annie Leibovitz. Within (oh, my stars & stripes!) you can behold the U.S.’s Landon Donovan, as well as Brazil’s Kaká, Italy’s Gianluigi Buffon, England’s Carlton Cole, Germany’s Michael Ballack–all in their undies. Cheers to you, Vanity Fair: Your enterprising shamelessness truly knows no bounds.
Out this week: The Burning Girl by Claire Messud; The Hidden Light of Northern Fires by Daren Wang; My Absolute Darling by Gabriel Tallent; To Die in Spring by Ralf Rothmann; and All the Dirty Parts by Daniel Handler. For more on these and other new titles, go read our most recent book preview.
Hold on to your starched collars: In breaking Shakespeare news, Oxford University Press announced that in its new edition of the complete works of William Shakespeare, Christopher Marlowe will receive credit as co-author on the Henriad plays. And if you’re really tired of Will getting all the credit, you’ll enjoy our recent piece about the surge of interest in Ben Jonson, who’s basically the Third Tenor to their more famous voices.
Hats off to our own Edan Lepucki for being named a Face to Watch by the LA Times! In an article, David L. Ulin says Edan’s upcoming novel is “steeped in southern California narrative tradition” and describes how a drive along Sunset Boulevard inspired the setting of the book. (You can catch up on Edan’s work by looking through her archive.)
In his review of Lee Friedlander’s collection, Playing for the Benefit of the Band: New Orleans Music Culture, Nathaniel Rich remarks on the “unsettling beauty” of the artist’s photographs.
David Fincher had Gillian Flynn rewrite the ending of Gone Girl for his film. Flynn herself relished the changes. “There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its 8 million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie,” she said. What would Amy think?
At Jacket Copy, Carolyn Kellogg talks with Jonathan Lethem about his new novel Chronic City “I love to dwell in the space of a novel — I don’t find writing uncomfortable, it’s something I really love doing. Writing a long novel, especially, it means that I’m creating this whole other set of people that I’m interested in, and this whole other world I get to go into, and I try to stay there. I try to go every day, not just to see the word count amass, which is helpful, but because then my subconscious is kind of living there.”