Anne Fernald writes about getting deep into her research: “Peering down isn’t enough, however. If you want to find the treasure that lies beneath the surface, you have to dive down into the well.”
The Well
NO MORE
The US Navy will no longer write its internal communiques in all caps. Maybe they got tired of the sense that they were constantly shouting?
Ask Her About Her Uterus
“Too often, a woman’s pain is not merely met with doubt, but suspicion, both within the medical community and outside of it.” The New Republic writes about female pain, the medical community, and Abby Norman‘s book, Ask Me About My Uterus: A Quest to Make Doctors Believe in Women’s Pain.
Eleven-Year Itch
Following last year’s Pulitzer Prize, which Donna Tartt won for her first novel in eleven years, it means something when a critic draws a favorable comparison between The Goldfinch and a new book. For Laura Miller, though, it’s a natural reaction to the latest from Sarah Waters, which seems poised to “scratch the same big-novel itch” as Tartt’s novel did last year. (FYI, Sarah Waters wrote a Year in Reading entry for The Millions.)
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Anything that helps you to see. Anything that makes you look
On Flannery O’ Connor’s practice of making visual art, and how the habits of an artist informed her sensibility as a writer.
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A Foreign Body within Oneself
Over at the Masters Review, Marjorie Sandor writes about the uncanny in literature and film, the origins of the word, and psychology. “Uncanny. Look it up in a standard collegiate dictionary, and you’ll get a brief, unhelpful definition. Seemingly supernatural. Mysterious. [orig. Sc & N. Engl.]. But the slippage has already begun. Seemingly.”
R. L. Stine Revisited
Eat Cheese and Die Happy!: an R. L. Stine title for my life. See more at McSweeney’s by Amanda Rosenberg.
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