Celebrity watch: that guy from The Decemberists lands a children’s book deal. Waiting in the wings: A Vampire Weekend macroeconomics textbook; Dina Lohan’s‘s haiku collection; and Jeremy Irons’ zombie mashup, Bride’s Head Revivified.
Don’t worry, everybody — Anita Thompson, widow of gonzo journalist Hunter S. Thompson, has finally returned the prized pair of antlers that Thompson stole from the Idaho home of Ernest Hemingway, himself. The antlers, which he stole while in Idaho on assignment reporting on Hemingway’s suicide, had hung in Thompson’s garage for the past fifty-four years.
Have we entered into the age of New Modernism? Better yet, what does “New Modernism” even mean? Let regular Millions contributor Jonathan Russell Clark explain it to you in his essay for LitHub on George Saunders, Alexandra Kleeman, and experimental feeling. This Millions review of Gabriel Josipovici’s What Ever Happened to Modernism? is particularly relevant.
Last week, I wrote about Kathryn Schulz’s innovative interview with David Mitchell, which took place on a walk along the Irish coastline. Now, in a nice complement to our own review from today, Pico Iyer reviews the author’s latest. Sample quote: “A perfectly matter-of-fact, unvarnished evocation of how regular folks speak, married to a take-no-prisoners fascination with all that we can’t explain.” Our review of The Bone Clocks was published today.
“When the corrective to women’s exclusion from history is to find a few suitable individuals to pluck out of the messy rush of life and achievement, and hold up for admiration, we forget that many of women’s most important historical achievements…have been the product of collaboration, community, and collective action.” For Slate, Joanna Scutts writes about recent spate of historical books about rebellious, misbehaved women, and who is left out of those stories. From our archives: a list of vile women in fiction.