The Harvard Hoaxer‘s not-to-be-missed resume (pdf) includes several impressive under-contract book projects, including The Mapping of an Ideological Demesne; Wampum and the Origins of American Money; and A Short History of North America. Pretty impressive, for a 23-year-old.
If you haven't already, meet Coeur de Pirate, the beautiful and charming Quebec singer-songwriter Béatrice Martin. Her sound's somewhere between Françoise Hardy and Icelandic band Seabear. Here's the video for "Comme des Enfants" and here's a fan-made video for "Printemps" (my favorite C de P song).
You may not expect much from a write-up about The Smiths' new collected box set, Complete, but that's about to change. In a phenomenal piece on the relationship between racial (in particular Asian) otherness and the UK band's music, Sukhdev Sandhu explains how Morrissey's "lyrics and persona mapped out a structure of feeling that spoke to my own floundering selfhood."
"All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself." Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.
Now that classic sci-fi mag Omni has risen from the Hades of publishing, editors are combing its massive archives in search of material to republish. Among that material, it turns out, are drawings of Dune homeworld Arrakis -- drawings that happen to be endorsed by none other than Frank Herbert himself.
Zachary Lazar talks to Mary Jo Bang about her radical translation of Dante's Inferno: in an attempt to render the shock Dante caused by writing in conversational Italian rather than the conventional Latin, Bang translated Dante's text in modern-day English adorned with references to American pop culture. A sample of the text is available online.
The premier English-language translator of modern Chinese fiction, Howard Goldblatt, says flatly that Western audiences don’t read Chinese books. However, with last year’s Nobel Prize win for Mo Yan (and the rave review his novel Pow! received in the Times), Goldblatt and other scholars are hoping that could change.