Shaken by scathing reviews from The New York Times and The Washington Post, Yann Martel‘s publisher turns to independent bookstores for help.
Spiegel & Grau turns to indies for help
Bold and Messy
Over at Full Stop, Josephine Livingstone writes about Eileen Myles’s hip image and the renewed success of Chelsea Girls. Also check out Stephanie LaCava’s Millions essay on how social media helped to push Myles’s book into the mainstream.
O’Brien’s Bridge
If the Dublin City Council doesn’t name their newest bridge after Flann O’Brien, writes Frank McNally, then perhaps the author’s memorial should be built in Paris, Zurich, Trieste, or “any of the other great European cities to which he didn’t emigrate.”
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The Back of the Face
“A neck cannot be modern. A neck is in time, belongs to time, but is not formed by it. My guess is that even photos of Neanderthal necks would not differ significantly… [They are] in a certain sense, pure nature. Something that grows in a certain place, the way tree trunks grow, or mussels, fungi, moss.” Recommended reading: Karl Ove Knausgaard on the sanctity of bodies, the nature of truth, and the back of the neck. The third volume of Knausgaard’s bestselling My Struggle hit American bookshelves last week. (Check out our own review of Knausgaard’s previous volumes.)
Still Kicking
How often do journalists unfairly stereotype the Rust Belt? All the time, says Jim Russell. In a piece for Pacific Standard, he argues that much of the reporting on Dayton, Flint and other industrial towns falls prey to hyperbole and generalization. (Related: Darryl Campbell on the recession and Rust Belt fiction.)
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New Books and Great Movies
Now that the summer blockbusters are winding now, we can all focus on book-to-film adaptations. Kirkus Reviews has a list of new books that would make for great movies, some of which, like Christopher Beha‘s Arts & Entertainments, The Millions has reviewed. Pair with our dream casting of a film version of The Goldfinch.
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