Would you rather have a long literary career, or write a brilliant, successful one-off? Robert McCrum considers the literary career arc.
A spate of notable literary homes have dotted high-end real estate recently. Earlier, The Telegraph reported that Bran Castle, whose famed fictional occupants include Count Dracula from the eponymous novel by Bram Stoker, is seeking offers. Yesterday, Ray Bradbury’s cheery 3-bedroom yellow house was listed at at $1.5 million. Sadly, the more-affordable $350,000 home of beloved children’s book writer Beverly Clearly was snapped up last week. Writers hoping to add to the stock of literature-imprinted real estate, take note: Detroit nonprofit Write A House, which renovates vacant homes and awards them to writers and poets free of charge, is accepting applications until June 21.
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
Try to define the word “poetry” and you’ll quickly find yourself in a maze of contradictions. It refers, most obviously, to printed verse, but it can also refer to especially lyrical prose, among other things. At The Paris Review Daily, Damian Searls uses etymology to get some answers. Related: Kate Angus on loving poetry but not poetry books.
The Masters Review has announced Ann and Jeff VanderMeer as the judges for this year’s Fall Fiction Contest. The winning story will receive a $2,000 cash prize as well as publication in the magazine. Go submit, then read Josh Rolnick’s essay for The Millions on ten things he’s learned in over a decade of sending out stories.