As Lost meanders towards its finale, the LA Times rounds up the plentiful literary influences that popped up during the show’s run.
Literary Lost
Life in Letters
“To age is to understand that the powers of total recovery are gone, are no longer anticipated (except by those who, having lost their marbles, no longer know what to anticipate).” The epistolary legacy of writers such as Samuel Beckett, Saul Bellow, and Elizabeth Bishop offers invaluable insight into the process of growing older, writes Robert Fay for The Atlantic. See also our own Lydia Kiesling on the narrative possibilities of leaked emails.
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New Chabon Story
Recommended reading: A new short story from Michael Chabon is now available from Tablet.
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History of the Most Widely Used Font
Katherine Eastland has written an interesting piece on the history of Times New Roman.
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A Moving Image of A Moveable Feast
Actress Mariel Hemingway, granddaughter of Ernest Hemingway, will be producing a film adaptation of A Moveable Feast, a memoir of Hemingway’s early years as a writer in Paris. The essays feature a colorful cast of literary characters, including F. Scott Fitzgerald, Ford Madox Ford, Gertrude Stein, and Alice B. Toklas.
The Virtues of Boring
Mark O’Connell’s recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of “the slow and the boring” in film, responding Dan Kois’s Times Magazine piece confessing he’s “suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables.”
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Action!
Recommended Reading: This lengthy piece from The New York Times on the history of Yiddish theater from schtick to stardom.
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