As Lost meanders towards its finale, the LA Times rounds up the plentiful literary influences that popped up during the show’s run.
Literary Lost
I Feel a Pang
“There was a plan a few years ago, during the crisis of unaccompanied minors arriving on our southern border, to send a copy of The Beast, Óscar Martínez’s extraordinary account of Central American migration to the U.S., to every member of Congress. How many of them read it? And how many of those who read it changed their position? Did any anti-immigrant populist show an ounce of humanity or generosity as a result?” Daniel Alarcón, author of At Night We Walk In Circles, on recommending a book to the president.
Now I know my þ, ƿ, œs
There used to be 32 letters in the English alphabet, but that seems quaint when you consider the fact that iPhone users have access to 1,767 unique emoji. Then again, as Gretchen McCulloch explains, emoji aren’t exactly a dire threat to the written word.
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Love and Blue Globes
Recommended Reading: “Three Things I Have Never Told Anyone,” an essay on love, blue globes and things unsaid by Ayşe Papatya Bucak.
NYRB Classics Winter Sale
Have you taken advantage of NYRB Classics’ Winter Sale yet? A whole bunch of their books are listed with 50% discounts! Why not check out The Radiance of the King, which was recommended this past Year in Reading by Deborah Eisenberg? (And also recommended by Junot Díaz back in our 2007 edition of the series, too.)
Meeting the Locals
If you’re like me, you probably assumed you’d never read the phrase “George Saunders in O, the Oprah Magazine”, but this is where his latest piece has turned up. As part of a creative way of presenting a list of books to read, the author imagines what reading material he’d give to an alien who wants to know what it’s like to be human. For more on his work, go read our own Elizabeth Minkel on his legacy and recent collection.
The Lure of the Corona
Apparently Tom Hanks is a fan of vintage typewriters.
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A Classic Drawing
“There is always something lost, or exchanged, when the imagined world evoked by the written word, unique for every reader, is replaced by a provided set of visual references. In this particular case, the artist is faced with translating the unbelievable, even the metaphysical, into visual imagery, and within a relatively constrained form.” Jenna Brager on Hope Larson’s graphic novel adaptation of A Wrinkle in Time.
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