As Lost meanders towards its finale, the LA Times rounds up the plentiful literary influences that popped up during the show’s run.
Literary Lost
A Day in the Life of a Literary Agent
“There really is no average day in the life of a literary agent,” writes Mark Gottlieb in his attempt to describe an average day in the life of a literary agent.
The Kiddies are Alright
Celebrity watch: that guy from The Decemberists lands a children’s book deal. Waiting in the wings: A Vampire Weekend macroeconomics textbook; Dina Lohan’s‘s haiku collection; and Jeremy Irons’ zombie mashup, Bride’s Head Revivified.
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Morgan Jerkins on Letting Your Mind Run to the Surreal
Morgan Jerkins discusses her new novel, Caul Baby, a story set in Harlem that has elements of both the fantastical and the familiar.
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Dispatches from Guangzhou
Take a vicarious trip to China via a special issue of Ninth Letter, a literary and arts journal published by the University of Illinois, Urbana-Champaign. Including work by authors Madelaine Thien and Khaled Al Khamissi, the issue grew out of a residency sponsored by Sun Yat-sen University’s Center for English-language Creative Writing, the only such department of its kind in that country. Pair with this piece by Casey Walker about writing his novel Last Days in Shanghai, which is set in the boomtown of today’s new China.
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“Which I respect more than bourgeois liberalism”
Much fuss was made about Barack Obama’s ex-girlfriends this week, as an excerpt from David Maraniss’ forthcoming Barack Obama: The Story was published in Vanity Fair. Of course, we sophisticated book readers care less about the man’s old flames than we do his literary pursuits, right? That’s why Mr. President’s analysis of T.S. Eliot’s poem “The Wasteland” is so interesting.
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Sympathy for All
Back in April, our own Sonya Chung linked to an excerpt on Bloom of Viet Thanh Nguyen’s The Sympathizer, then featured on the cover of the Sunday Times Book Review. At Bookforum, Lisa Locascio reads the book, drawing comparisons to Chang-rae Lee’s Native Speaker and Hari Kunzru’s The Impressionist.
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