Will the new technologies ruin talented writers? Jason Pinter examines the perils of straight-to-ebook self-publishing.
Vladimir Nabokov’s Lolita is one of those rare few classic novels that translates well to the big screen. To some extent, this was intentional — Nabokov often wrote fiction with an eye to selling film rights. John Colapinto writes about the author’s relationship with the cinema over at Page-Turner. You could also read our own Lydia Kiesling’s Modern Library Revue of Lolita.
Edith Pearlman has been writing stories for a long time, but it’s only recently that she’s received widespread attention for them, as evidenced by this New Yorker piece on the author by James Wood. In it, Wood writes about the ways in which Pearlman is “a fabulist in realist’s clothing,” among other things. Pair with: Josh Cook on Pearlman’s book Honeydew.
“The way this propaganda works is you take something insane and wrap it in a little bit of truth, and then all those people swallow it because it’s wrapped in a little bit of truth.” Columbia Journalism Review talks to the victims of fake news, from Sandy Hook parents to election overseers. Also worth thinking about in this context, the American usage of modern English.