USA Today suggests that Hollywood’s love affair with Jane Austen is ebbing and, with film versions of Jane Eyre and Wuthering Heights on the way, the bigwigs have moved on to the Brontes.
Hollywood and the Brontes
James Franco + n+1
It’s time for another literary James Franco sighting. This time he’s popping up in the table of contents for the next issue of n+1.
Cost of the Memoir
“My parents really don’t like that book. It embarrassed and saddened them and they didn’t understand why I would air my dirty laundry in public. They’ve had some time to sit with it and now they’re more supportive of what I do as a memoirist. I think they see the value of telling your story now. It’s still a tender subject and I wouldn’t say that they exactly love the book now, but at least it’s an open dialogue.” Jillian Lauren speaks on the cost of telling one’s truth publicly and her memoir Some Girls: My Life in a Harem. Pair with a piece by our own Michael Bourne on the art and business of memoirs.
Between Life and Death
Over at the Public Domain Review, Sharon Ruston examines the scientific background to Mary Shelley’s Frankenstein, from resuscitation to galvanism.
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A Drive in the Woods
Before he graduated college in 2005, Ken Ilgunas began to worry about his mounting college debt. As a novel way of dealing with it, he moved into a van, a decision he chronicles in a new, extremely well-titled book, Walden on Wheels.
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For Whom the Bell Tolls
The word “whom” appears “just 53 times out of every million [spoken] words,” according to the Corpus of Contemporary American English. This does not bode well for members of future generations – some of whom may be fond of formality.
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Reflecting on Baldwin
Toni Morrison wrote an obituary for James Baldwin in The New York Times, published December 20, 1987 and online for you to read. “Jimmy, there is too much to think about you, and too much to feel. The difficulty is your life refuses summation – it always did – and invites contemplation instead. Like many of us left here I thought I knew you. Now I discover that in your company it is myself I know.” Justin Campbell reflects on Baldwin, race, and fatherhood.
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When will George Eliot get her big Hollywood break?