The new media revolution has massacred the book review sections at many national newspapers, but it’s been just as unkind to movie reviewers. At his Salt Lake Tribune blog, Movie Cricket, SLT film critic Sean P. Means keeps a list of all of the movie reviewers who’ve gotten the axe.
Film Critics, A Dying Breed
2017 Newbery and Caldecott Winners
Kelly Barnhill, author of The Girl Who Drank the Moon, is the winner of this year’s Newbery Medal for “most outstanding contribution to children’s literature,” and Javaka Steptoe, author of Radiant Child: The Story of Young Artist Jean-Michel Basquiat, won this year’s Caldecott Medal.
●
●
Web 3.0: How Do We Pay for This?
The Present Group provides an interactive look at “how artists, cultural producers, and content providers have experimented with funding and support models during the Internet Age.” The scrolling timeline spans from 1998 through 2016, and it outlines the major innovations (and failures) as websites tried monetizing.
On McElroy’s Cannonball
John Domini reviews Joseph McElroy’s Cannonball in the pages of Bookforum. In our Great Second-Half 2013 Book Preview, our own Garth Risk Hallberg wrote that, “this, his first novel in many a moon, concerns the Iraq War, among other things, and it’s hard to think of an author more suited to reimagining the subject.”
●
●
Slouching Towards Summer
From “A Prayer For Maintaining At Least A Tenuous Hold On My Sanity” to “A Prayer for My Wrecked Bladder,” here are five prayers whispered by a first-year teacher as the school year slouches to a finish.
●
●
Emily Dickinson, Harvard-Bound
Seth Perlow examines how Harvard claims the rights to Emily Dickinson's poems, a body of work that was unpublished when she died, more than 130 years ago.
●
●
●
“Wounded Women”
“I am worried about the implications of throwing the label ‘women’s pain’ around individual experiences of suffering, and I am even more uncomfortable with women who feel free to speak for all women. I worry about making pain a ticket to gain entry into the women’s club. And I worry that the assumption of vulnerability threatens to invigorate just the sexist evils it aims to combat by demanding that men serve as shields against it.” In an essay for the Boston Review, Jessa Crispin shares her concerns about the “wounded women” trend in literature right now, citing Leslie Jamison‘s The Empathy Exams and Roxane Gay‘s Bad Feminist as well the Twitter campaign #yesallwomen as particular examples. Pair with Ryan Teitman‘s Millions review of The Empathy Exams.