The new media revolution has massacred the book review sections at many national newspapers, but it’s been just as unkind to movie reviewers. At his Salt Lake Tribune blog, Movie Cricket, SLT film critic Sean P. Means keeps a list of all of the movie reviewers who’ve gotten the axe.
Film Critics, A Dying Breed
Gina Frangello on Writers Lists
Over on The Nervous Breakdown, a thoughtful piece from Gina Frangello on the recent lists of writers from The New Yorker and Dzanc: "The thing is: being a writer can kinda feel like never leaving high school."
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A Worthy Send-Off
Edmond Caldwell, a longtime Millions commenter and member of the golden age of lit blogging, has passed away. Caldwell was the founder of The Chagall Position and Contra James Wood. Read a tribute to Caldwell by his friends Boyd Nielson and Joseph G. Ramsey at Dispatches, here.
New McEwan
We recently linked to a new interview with Ian McEwan, whose latest novel The Children Act comes out next week. The LA Times has a full review of the new book, and the piece pairs well with Charles-Adam Foster-Simard's review of McEwan's Sweet Tooth. And of course there's Atonement, which comes up in a variety of Millions articles, from Michael David Lukas's essay on the polyphonic novel to Seth Sawyer's recent piece on food and reading.
Anthony Shadid Dies in Syria
It was shocking to find that New York Times correspondent Anthony Shadid had died, of an asthma attack of all things, while reporting in Syria, especially when he's put himself in harm's way so many other times and emerged unscathed. Tyler Hicks, the Times photographer who was with Shadid when he died and who escorted his body out of Syria was, along with Shadid, among of the four journalists captured and held in Libya less than a year ago in the early days of the uprising there. Shadid's reporting was brave and essential there and elsewhere. His death comes just weeks before the release of a memoir, House of Stone: A Memoir of Home, Family, and a Lost Middle East.
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“Neither Tarnished Nor Afraid”
"Being nominated for an award feels the way I imagine winning the lottery must feel: You’re deeply grateful and a little disoriented, you feel very lucky, and you know that it could just as easily have been someone else." Our own Emily St. John Mandel writes about "the vast distance between literary prizes and literary work" and reading Norman Mailer for The Atlantic's By Heart series (which we've covered many, many times before).
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Cubans, Minimalists, and Surrealists, Oh My!
A three-course feast for your eyes, dear readers: vintage Cuban movie posters courtesy of Will Schofield; minimalist book covers courtesy of Julie Oreskovich and AbeBooks; and little-known sheet music illustrations courtesy of the great René Magritte.
“The Threadbare Art of My Eye”
As Robert Lowell put it: "sometimes everything I write / with the threadbare art of my eye / seems a snapshot." Poetry and photography.