Today would be author Stanley Elkin’s 80th. On this occasion, one fan posts an excerpt from The Franchiser and suggests “Read it out loud three times: the first to hear the sounds, the second to feel your mouth and tongue and throat make the sounds, the third time to listen to what Elkin is saying.”
As the publication date nears for Robert Caro's latest Lyndon Johnson installment, The Passage of Power, it's a good idea to brush up on your history of Caro's career. Enter Charles McGrath and his great portrait of one of the most prolific biographers of all time.
Recommended Reading: Sarah Gerard records her phone calls with inmate Matthew Seger as he tries to find time to write in prison. “I feel like all of these ideas I have will someday, maybe, be of some use. I don’t want to let any of them go.” We interview Matthew Parker, the author of the graphic memoir, Larceny in My Blood: A Memoir of Heroin, Handcuffs, and Higher Education.
As literary genres go, bathroom graffiti ranks somewhere between obscenities carved into desks and poorly spelled comments in terms of respectability. Yet it’s still a form that could reveal interesting things, which is why a group of researchers took a series of fact-finding trips to public stalls across America. Their takeaway? “The mere fact of being in a public bathroom could be skewing how people choose to present themselves when they uncap that Sharpie.” Related: Buzz Poole on The History of American Graffiti.
"Woken is the usual past participle of the verb wake in modern English, but in some historical and contemporary varieties the past tense form woke is also used as a past participle." The Oxford English Dictionary offers notes on the more than 600 new words, phrases, and senses added to its lexicon this quarter, including hygge, particle zoo, post-truth, and woke. Perhaps the OED can help our own Edan Lepucki, who needs help giving 11 feelings and experiences names.
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.