Craig Fehrman digs up and posts the Details‘ 1996 profile of David Foster Wallace that is mentioned a few times in Although Of Course You End Up Becoming Yourself but has until now not been available online.
Facebook’s amended S-1 to its IPO was filed this week, and the details confirm some of the doubts raised in the last filing. The company estimates that between 5-6% of its most active users could in fact be “duplicate” (read: fake) accounts. Put in more concrete terms, of Facebook’s estimated 850 million users, 46,475,000 may be like this one. (46 million, by the way, is roughly the population of Colombia, Spain, or Ukraine.)
After a long and complicated drama that played out for five years in Israeli courts, a collection of Franz Kafka and Max Brod manuscripts will be transferred to the National Library in Jerusalem. The unique circumstances at play in this case have been previously written about by Elif Batuman.
“Over the course of our conversation, I’ve come to understand that he has not written (Thomas Jefferson Dreams of Sally Hemings) to provoke or to engender a self-serving sense of shock; he has written with a belief in the possibilities of liminal space and in the revelations that occur at the point of tension. The result is a book that jars, unequivocally, and that disquietingly brings to the surface the anguish of past and present America.” Stephen O’Connor’s poetic reimagining of the relationship between Thomas Jefferson and the enslaved Sally Hemings has certainly raised some eyebrows. This interview with Melody Nixon at BOMB gives O’Connor a platform from which to explain his idea.
Rejection is something all writers face and no one’s pretending it’s pleasant, but worse than the rejection itself are the hours spent deciphering where a submission went wrong. Thankfully Lincoln Michel at Electric Literature was inspired by a 1920s rejection slip to create a self-explanatory “thanks but no thanks” note. While we’re thankful these aren’t the norm, we can definitely see the appeal…