Craig Fehrman digs up and posts the Details‘ 1996 profile of David Foster Wallace that is mentioned a few times in Although Of Course You End Up Becoming Yourself but has until now not been available online.
DFW Details
Code-Switching Patchworks
Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”
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Born Lucky
One of the surprises of last week’s James Beard Awards was the runaway success of McSweeney’s offshoot Lucky Peach, which ended up taking home five out of seventeen awards. On John Birdsall’s Tumblr, you can read one of the winning essays, which bears the attention-grabbing title of “America, Your Food Is So Gay.” (Related: Jessica Ferri on food writing.)
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New from Claudia Rankine
Experience Claudia Rankine’s sound and fury in a new poem in The New Yorker. Pair with a piece on why Americans love poetry, but not poetry books.
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“It is difficult to make a living”
“There is a possibility of your having a decent attitude toward people and work. That alone may make a man of you.” Wise words from Sherwood Anderson.
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The NYRB Classics Spring 2014 Preview
NYRB Classics just released the first installment of their Spring 2014 Preview, and it features the likes of William H. Gass, Jean-Patrick Manchette, and Qiu Miaojin. Stay tuned for the second installment, which they say will come soon.
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