Craig Fehrman digs up and posts the Details‘ 1996 profile of David Foster Wallace that is mentioned a few times in Although Of Course You End Up Becoming Yourself but has until now not been available online.
DFW Details
The David Foster Wallace Conference
The Howling Fantods live-blogged last week’s DFW conference at CUNY.
Short Flight / Hobart Discount
Hobart is celebrating the month of June by offering a 20% discount on all of their Short Flight / Long Drive Books. You can pick up any two for $15. In particular I recommend Adam Novy’s Avian Gospels, a vividly imagined story of a young boy who can control flocks of birds. (I’ve recommended it before.) You can also get a taste for the book by watching its trailer over here.
Margaret Cho’s Advice
Margaret Cho’s advice for “hacking it?” Write what you think is funny, not what you think people will like.
Tuesday New Release Day: Thiong’o; Mason; Gerard; Romm; Grøndahl; Grant
Out this week: Devil on the Cross by Ngũgĩ wa Thiong’o; Void Star by Zachary Mason; Sunshine State by Sarah Gerard; Double Bind, edited by Robin Romm; Often I Am Happy by Jens Christian Grøndahl; and Cave Dwellers by Richard Grant. For more on these and other new titles, go read our most recent book preview.
Ghostwriter
The Swiss foundation Anne Frank Fonds is attempting to extend the copyright of Anne Frank’s The Diary of a Young Girl by crediting Anne’s father as a co-author — even though Otto Frank writes in the prologue to the first edition that the book mostly contains Anne’s words.
Is Korean Literature About to Break Out?
Thanks in part to Dalkey Archive Press’s recently announced Library of Korean Literature, works from Korea are poised to reach a broad and welcoming international audience as never before. Yet the country is still “pin[ing] for its own world-famous writer,” writes Craig Fehrman. Perhaps Kim Seong-kon is just what the doctor ordered.
Struggle on Stage
Karl Ove Knausgaard’s six-volume My Struggle will be adapted to the stage — all 3,600 pages in under 150 minutes. Pair with Jonathan Callahan’s Millions review.