Craig Fehrman digs up and posts the Details‘ 1996 profile of David Foster Wallace that is mentioned a few times in Although Of Course You End Up Becoming Yourself but has until now not been available online.
DFW Details
The David Foster Wallace Conference
The Howling Fantods live-blogged last week’s DFW conference at CUNY.
Short Flight / Hobart Discount
Hobart is celebrating the month of June by offering a 20% discount on all of their Short Flight / Long Drive Books. You can pick up any two for $15. In particular I recommend Adam Novy’s Avian Gospels, a vividly imagined story of a young boy who can control flocks of birds. (I’ve recommended it before.) You can also get a taste for the book by watching its trailer over here.
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Margaret Cho’s Advice
Margaret Cho’s advice for “hacking it?” Write what you think is funny, not what you think people will like.
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Tuesday New Release Day: Thiong’o; Mason; Gerard; Romm; Grøndahl; Grant
Out this week: Devil on the Cross by Ngũgĩ wa Thiong’o; Void Star by Zachary Mason; Sunshine State by Sarah Gerard; Double Bind, edited by Robin Romm; Often I Am Happy by Jens Christian Grøndahl; and Cave Dwellers by Richard Grant. For more on these and other new titles, go read our most recent book preview.
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Ghostwriter
The Swiss foundation Anne Frank Fonds is attempting to extend the copyright of Anne Frank’s The Diary of a Young Girl by crediting Anne’s father as a co-author — even though Otto Frank writes in the prologue to the first edition that the book mostly contains Anne’s words.
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Is Korean Literature About to Break Out?
Thanks in part to Dalkey Archive Press’s recently announced Library of Korean Literature, works from Korea are poised to reach a broad and welcoming international audience as never before. Yet the country is still “pin[ing] for its own world-famous writer,” writes Craig Fehrman. Perhaps Kim Seong-kon is just what the doctor ordered.
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Struggle on Stage
Karl Ove Knausgaard’s six-volume My Struggle will be adapted to the stage — all 3,600 pages in under 150 minutes. Pair with Jonathan Callahan’s Millions review.
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