Book Collecting Bonanza
Seeking Comfort in the Bittersweet
Molly Templeton dissects what exactly makes up a comfort read, noting that it's not always the books with feel-good endings that we return to the most.
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An Interview with D.T. Max
D.T. Max, author of Every Love Story Is a Ghost Story, the recently released biography on David Foster Wallace, discusses writing his much-anticipated look at the late author’s life. Further whet your appetite for DFW’s biography with our exclusive look at the book’s opening paragraphs.
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2016 International DUBLIN Award
The winner of the 2016 International DUBLIN Literary Award is Family Life by Akhil Sharma. Find out more about the author at the International DUBLIN Literary Award website.
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Tuesday New Release Day: Lethem, Rush, Dixon, Vann, McDermott, Harding
Out this week: a new novel, Dissident Gardens, by Year in Reading alum Jonathan Lethem; Subtle Bodies by Norman Rush; His Wife Leaves Him by Stephen Dixon; Goat Mountain by Year in Reading alum David Vann; Someone by Alice McDermott; and Enon by Paul Harding, which Joseph M. Schuster wrote about for The Millions yesterday.
Treated with Vyvanse
“First, humans domesticated the horse. Then, we invented analgesia for the horses while we got rid of God—eliminating pain while also eliminating pain’s previously greatest meaning. This made a lonely universe. We partially solved loneliness by inventing smartphones, but this also created our now endless distraction—which, fortunately, can be treated with Vyvanse.” Sasha Chapin for Hazlitt on his friend Rachel, who is living with a terminal illness.
“Her prints certainly have muscle, and a lot of it.”
Flannery O’Connor: The Cartoons, a collection of one-panel comic prints made by Flannery O’Connor during her time in college, is due out later this week. Meanwhile, Barry Moser exhibits a few of the highlights.
“Heathcliff, it’s me, Cathy, I’ve come home”
“Then, about an hour into the newest version, it struck me: it’s Twilight!…That’s how I would have pitched the film, and the fact that I was thinking of it while watching Heathcliff and Catherine break each other’s hearts was an indication of Arnold’s failure to capture a fraction of Brontë’s genius.” The impossibility of filming Wuthering Heights.