At The Daily Beast, Newsweek reporter Barbie Latza Nadeau on Amanda Knox, the American university exchange student convicted of the murder of her roommate, an English exchange student, Meredith Kircher, by Italian criminal courts in December 2009. The murder took place in Perugia, Italy, where both girls were studying abroad. The case, with its suggestions of ritual sexual violence, and Knox’s bizarre behavior throughout the investigation and trial transfixed the Italian media. The excerpt at the Beast is from Nadeau’s new book Angel Face: The True Story of Student Killer Amanda Knox.
Rebecca Makkai shares the events that we can’t miss at AWP. I’m looking forward to the LA Law Karaoke Costume Party at the Santa Monica Pier, sponsored by VIDA and Pen America, featuring Mary Oliver and Kesha. Tod Goldberg’s dispatch from AWP in 2013 is a nice supplement to the piece.
We’ve recommended reading up on Jenny Zhang‘s Sour Heart before, this interview in Hazlitt is one of our favorites. “And maybe this is crude to talk about, it’s not even that I don’t want to write a memoir. Beyond that, do you understand how vulnerable it makes someone to call something nonfiction? Not just emotionally vulnerable but financially vulnerable, do you realize someone that makes $40,000 a year cannot be hit by a lawsuit by some angry ex who objected about a chapter about him? Some guy sees one line about him, missing thousands of lines not about him. That’s why celebrities are the ones who write memoirs.”
The man who designed Brazil’s famous canary-yellow jersey at age 19 won’t wear it–and not out of charming self-effacement. It’s just that “the shirt is not a symbol of Brazilian citizenship. It is a symbol of corruption and the status quo.” And that he happens to support Uruguayan fútbol.
Toni Morrison talked about writing, race relations, and journalism in a conversation with Hilton Als at the New Yorker Festival last week, and the highlights are available online. Als has also written an illuminating profile of Morrison for the magazine.
Writer Manjula Martin has been a stock girl, used bookseller, seamstress, waitress, retailer, Girl Friday- just to name a few of her day jobs. She questions the value of the artist’s day job in her VQR post. “Why are writers so eager to leave work behind?” she writes.