At Slate, The Pulitzer win for Tinkers continues to shine a light on what’s broken about the publishing industry right now. “Instead of relying on the Great Chain of Publishing… Tinkers’ chain jumped several links to get to the Pulitzer.” (Thanks, Craig)
Out this week: The Unwomanly Face of War by Svetlana Alexievich; Madame Zero by Sarah Hall; Fierce Kingdom by Gin Phillips; Gather the Daughters by Jennie Melamed; and Careers for Women by Joanna Scott. For more on these and other new titles, go read our most recent book preview.
Fyodor Dostoevsky‘s Crime and Punishment is getting the musical treatment, and though “it does not seem the most likely candidate to provide musical fun for all the family” for a long list of reasons – “heavy drinking, prostitution, a double axe murder and hours of psychological torment” – we’re already planning our trips to Moscow for the premier. This is also a good opportunity to revisit the debate over who’s greater, Dostoevsky or Tolstoy?
“For me, authenticity of setting is a kind of sine qua non for the feeling that a scene has been correctly done. I become unnerved if I haven’t got a ground plan, don’t know where my characters are. It’s a matter of personal psychology, I guess. I’ve always collected notes on settings. Most, of course, I’ll never use.” At the Tin House blog, Tim Horvath talks shop with Norman Rush.
Last week, I pointed readers to a Page-Turner essay by Amy Bloom, whose new novel, Lucky Us, came out on Tuesday. Now, as part of the By the Book series in the Times, she talks about her summertime reads, her first picture book and who she’d invite to a literary dinner party. (FYI, we’ve written about the series before.)