At Slate, The Pulitzer win for Tinkers continues to shine a light on what’s broken about the publishing industry right now. “Instead of relying on the Great Chain of Publishing… Tinkers’ chain jumped several links to get to the Pulitzer.” (Thanks, Craig)
“Located along a private beach on 235 Middle Neck Road, this opulent Gatsby-inspiring estate spans over 5 acres. A mere 25 minutes away from New York City by boat, this home is the perfect scene for a roaring 20s party. Just picture the glitz and glamour of fireworks reflecting across the water at all hours of the night.” For a cool $16.9 million you, too, can live in the home that inspired F. Scott Fitzgerald. Pair with our own Sonya Chung on adding The Great Gatsby to her teaching syllabus.
“I had seen enough movies to know that when a knife is tossed by the hero to someone in need, it lands exactly where it should. So I picked up the knife, and I centered myself. ‘Be the hero,’ I whispered.” Caroline Paul’s The Gutsy Girl: Escapades for Your Life of Epic Adventure, “part memoir, part manifesto, part aspirational workbook,” encourages everyone to add a little more adventure to their lives. Angela Qian writes about the adventure of learning to read in another language.
In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.
“Here is the trouble with looking for ourselves in the writers whose works we admire, at least if we are proposing to be their biographers. For if we are in search of ourselves, or in this case our own troubled teenaged selves roaming New York, then we are apt to downplay those parts of the life that don’t correspond with that need for recognition.” Anne Boyd Rioux writes about biography and the distance, good or bad, between subject and biographer for the Los Angeles Review of Books.