Hold on to your starched collars: In breaking Shakespeare news, Oxford University Press announced that in its new edition of the complete works of William Shakespeare, Christopher Marlowe will receive credit as co-author on the Henriad plays. And if you’re really tired of Will getting all the credit, you’ll enjoy our recent piece about the surge of interest in Ben Jonson, who’s basically the Third Tenor to their more famous voices.
“If we are looking for a single category to explain why women are better represented among best-selling authors today, the Literary/None category is our best candidate. Most best-selling books fall into this category, and its change over time closely matches the overall gender ratio, shifting from extreme bias in the 1980s to close to parity in the 2000s.” Rosie Cima has put together a beautifully thorough and thoughtful analysis of gender, best-seller lists, and publishing for The Pudding. For a more exegetical analysis, consider our own Sonya Chung‘s exploration of writing across gender lines.
Joshua Cohen, author of the recently published Book of Numbers, will begin writing a serialized, twentieth-century version of Charles Dickens’ Pickwick Papers live and online next week. Beginning October 12 at 1pm, viewers can watch Cohen spend five days reimagining the book and will be able to offer criticism that may affect the ending.
Garth recently posited that Dave Eggers would be a great, if counter-intuitive, replacement for Philip Gourevitch at the Paris Review. Instead, the Paris Review has announced today the equally admirable appointment of FSG editor Lorin Stein to head up the venerable literary magazine. The announcement.
Ever got the feeling that literary life used to be a lot more glamorous? Well, thanks to this review, we now have some proof that it was. In The Times Literary Supplement, a review of Antonia Fraser’s new memoir, which includes her memories of meeting the Queen and dancing with T.S. Eliot. (h/t Arts and Letters Daily)