If you enjoyed David Auerbach‘s piece on Thomas M. Disch, we recommend you check out this overdue profile of Samuel R. Delany, whose magnum opus, Dhalgren, truly is “like Gertrude Stein: Beyond Thunderdome.”
The finalists for the 2016 Hugo Awards were announced a few days ago, and it looks like the reactionaries may have struck another blow. A group which calls itself “The Sad Puppies” has been stirring up political controversy at the Hugos for a few years now. Founded in 2013 by writer Larry Correia, who was highly critical of the Hugos for favoring what he believed were “academic” works that allegedly promote “left-leaning messages,” the Puppies have since campaigned vigorously to have writers whose ideologies line up with their own make the final ballot.
“The lie I told most often in my twenties during the Reagan era was that I liked other people’s children although I didn’t intend to have my own.” For The Rumpus, Kyoko Mori writes an essay on the choice to raise animals instead of children. Pair with: an essay on the complexities of motherhood.
People Who Eat Darkness author Richard Lloyd Parry’s forthcoming book on the Tōhoku earthquake and its aftermath, Ghosts of the Tsunami, will be released some time in late summer/early fall, and BBC Radio put together a 30-minute teaser to tide you over until then. You can also check out Parry’s moving yet unsettling piece for the London Review of Books.
Using pen names has been a common practice for, well, a very long time. George Eliot is a nom de plume, as are George Orwell and George Sand. Though not a George, journalist Sarah Hall chose to publish her fiction under a different name. She writes for The Guardian about this decision, the history of the pen name, and the reasons authors continue to use them.
Another packed line-up: New this week is Stephen King’s 11/22/63, Umberto Eco’s The Prague Cemetary, Ingo Schulze’s, and Adam and Evelyn (all three of which were previewed by us). We also have new biographies of Kurt Vonnegut and Catherine the Great. And new in paperback, sometime Millions contributor Matthew Gallaway’s The Metropolis Case.