If you enjoyed David Auerbach‘s piece on Thomas M. Disch, we recommend you check out this overdue profile of Samuel R. Delany, whose magnum opus, Dhalgren, truly is “like Gertrude Stein: Beyond Thunderdome.”
The Modernist Master of Sci-Fi?
Editor Wanted
A highly sought after editor position is about to open up. Philip Gourevitch is relinquishing the helm of the Paris Review. Perhaps I’ll throw my hat in the ring. Gourevitch wants to spend more time on his writing.
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Fictional Texts
“Each imaginary book is a demonstration of fiction’s magic, as an author deposits into a fictional world yet another fictional world, like one universe bubbling out of another.” On Borges and other authors’ fictional texts and his library of imaginary books. Jeff Peer introduces us to Borges as a professor in his review of Professor Borges: A Course on English Literature.
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Discussing Knausgaard
“Knausgaard‘s work is literary because of what it does, but not because of how it’s written. He gets us all asking…where does my truth really lie?” Recommended listening: James Wood, Meghan O’Rourke and Bill Pierce discuss Knausgaard in a podcast for Open Source.
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“One, Two, Three, Four. We Want this Superstore.”
Fox Books has filed for Chapter 11 bankruptcy, The Onion reported. But in reality, Barnes & Noble is facing some big problems, which inspired Michael Agger to write a thank you note to the troubled bookstore. “Going to Barnes & Noble became a Saturday afternoon. It was as if a small liberal-arts college had been plunked down into a farm field.”
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Tuesday New Release Day: Johnson; Ford; Millet; Hunter; Kadare; Jin; Rash; Self
Out this week: The Laughing Monsters by Denis Johnson; Let Me Be Frank With You by Richard Ford; Mermaids in Paradise by Lydia Millet; Ugly Girls by Lindsay Hunter; Twilight of the Eastern Gods by Ismail Kadare; A Map of Betrayal by Ha Jin; Something Rich and Strange by Ron Rash; and Shark by Will Self. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
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Contested Accounts
After reading through two new biographies of Sylvia Plath — American Isis and Mad Girl’s Love Song — Terry Castle concludes that “nothing about her life or legacy seems wholesome or resolved.” (Related: our own Hannah Gersen talking with Pain, Parties, Work author Elizabeth Winder.)
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I still have my dog-eared first printing of Dhalgren. The experience of reading it and Gravity’s Rainbow are quite similar. They were both published in the early-to-mid ’70s — maybe there was something in the water.