If you enjoyed David Auerbach‘s piece on Thomas M. Disch, we recommend you check out this overdue profile of Samuel R. Delany, whose magnum opus, Dhalgren, truly is “like Gertrude Stein: Beyond Thunderdome.”
The Modernist Master of Sci-Fi?
“The point is she’s doing ballet badly”
As part of their Sunday Interview series, The Rumpus had a chat with Leslie Jamison, who talked to Martha Bayne about The Empathy Exams, the ubiquity of Frozen and the pathos of Taylor Swift. If you like, you could also take a look at our own Edan Lepucki’s interview with Jamison, or else read Ryan Teitman’s review of The Empathy Exams.
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Blurbing for Laughs
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Wild Possibilities
"Hope is a gift you don’t have to surrender, a power you don’t have to throw away. And though hope can be an act of defiance, defiance isn’t enough reason to hope. But there are good reasons." Rebecca Solnit, author of Men Explain Things To Me, on maintaining hope and resisting defeatism.
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Next Up, the Auckland Teal
As part of their ongoing efforts to monopolize all kinds of waterfowl, the good folks at Penguin, headed by the editor Jonathan Bell, have dug up old covers from the company’s defunct imprint, Pelican. The Guardian set up a slideshow that lets you scroll through a selection.
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Street Smart
Fancy a stroll? Flaneur, a new Berlin-based magazine, profiles one street per issue. It explores the culture, literature, people, and landmarks that make each street unique. The first is Berlin's Kantstrasse. Pair with: Hyperreal Cartography, a tumblr of "real maps of places that exist but don't."
The real Daisy Buchanan
"The poor boy losing the rich girl is a common theme in Fitzgerald’s work, and the original model was surely his relationship with Ginerva King." AKA the real Daisy Buchanan, who, might I note, looks nothing at all like Carey Mulligan.
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Trigger warning: Breakups ahead
Kim Addonizio's latest collection of short stories, The Palace of Illusions, is due out this month. Here is a sneak peek, the story, "Another Breakup Song,” featuring a distinctly Raymond Carver-esque vibe.
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I still have my dog-eared first printing of Dhalgren. The experience of reading it and Gravity’s Rainbow are quite similar. They were both published in the early-to-mid ’70s — maybe there was something in the water.