“Wherever you are…realize that your essence is divine, son / and let it shine, son.” Peace to Guru Keith Elam, 1966 – 2010.
“Their reporting led to Mr. Weinstein’s firing and set off a national conversation about the prevalence of sexual assault and harassment.” New York Times reporters Jodi Kantor and Megan Twohey will publish a book with Penguin Press about the recent sexual abuse and harassment allegations that have rocked the country. From our archives: Hannah Gersen‘s essay about seeing and hearing women in film.
In 2012, the Portuguese writer José Luís Peixoto, on the occasion of Kim Il-Sung’s 100th birthday, went to North Korea for a fifteen-day trip. The experience led him to write a travel memoir, Inside the Secret, which you can read in serialized form online at Ninth Letter magazine. You could also read Pulitzer laureate Adam Johnson’s new Granta essay about the country.
A moving tribute to Ray Bradbury on The Paris Review Daily from his one time fact checker Stephen Andrew Hiltner: “Ray Bradbury, who never went to college and was entirely library educated, had what so many of the sophisticated, MFA-carrying writers today lack: passion, vitality, emotional awareness.” Also: Wired has collected a bunch of reminiscences from science fiction writers, including Ursula K. Le Guin.
The first teaser trailer for The Counselor was released today. The film, which is directed by Ridley Scott and written by Cormac McCarthy, will star Michael Fassbender, Brad Pitt, Javier Bardem, Cameron Diaz, and Penélope Cruz among others. As you bide your time before its November release date, treat yourself to a sneak peek of McCarthy’s screenplay over here.
“Just as the written word changed the spoken word and the printed word changed the written word, so too will the digital word change the printed word, supplementing but not replacing the earlier forms of information technology.”
Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.