A mini-excerpt from Stephenie Meyer‘s bestseller for adults, The Host, just out in paperback.
Stephenie Meyer’s Body Snatchers
Nabokov on Butterflies
Vladimir Nabokov, who lived a parallel existence as a self-taught expert on butterflies and a Harvard museum curator, has had his theory on butterfly evolution finally proved sixty-five years later. (Thanks, Kevin)
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I Wrote, Yes, But Not That
Uh-oh: Hemingway may not have written his famous six-word story.
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Young Eliot
There’s a new biography of T.S. Eliot out, and this one concentrates on the poet’s American childhood and his transition from a youthful Tom to the now-famous T.S. (just in case you needed some context for that new writer’s retreat.)
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Bulgaria Week
It’s “Bulgaria Week” at Granta, and you can celebrate by reading two of Ivan Landzhev‘s poems, a short story by Rayko Baychev, a piece by Georgi Tenev, and many more. In case that isn’t enough, however, FiveChapters has posted Miroslav Penkov‘s “Makedonija,” and he has a short essay on the FSG Work in Progress site.
True Blood
Charlaine Harris, author of the Sookie Stackhouse/Southern Vampire Mysteries (recently reincarnated as HBO’s True Blood), talks with Barbara Peters of the Poisoned Pen Press and Bookstore for her interview series “The Criminal Calendar.” See the first of six YouTube installments here. Harris, like her most famous heroine, offers a mix of canny intuition and folksy charm. Asked about the bisexuality of one very old vampire in “the Sookie-verse” she answers Peters, “I figure if you live that long, you might as well diversify. Wouldn’t you get bored, you would think–you’d be willing to try anything if you live that long.”
Counterproductive Categorization
It’s a question that puzzles writers of all stripes: why is so much academic writing so terrible? It’s an issue that’s been a lifelong head-scratcher for the linguist Steven Pinker, who set out to answer the question once and for all. His verdict? It has to do with the meaning of “literary style.”
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Turing Geoff Dyer’s Frown Upside Down
“The Dyer visage in repose, its default setting, is that of a man whose jam has regularly been stolen from his doughnut.” Despite how he is prone to frowning, Geoff Dyer believes a smile can make the world a better place.