At The Nervous Breakdown Marie Mutsuki Mockett writes about being uninvited from a reading in New York and other obstacles to promoting her first novel, and how she channeled her creativity to take charge of her own PR.
Two full-length trailers for much-anticipated films dropped this week. First up is Pixar's Brave, which will hit theaters this June. Meanwhile, on the other end of the spectrum, fans get to see Robert Pattinson star as Eric Parker in David Cronenberg's adaptation of Don DeLillo's Cosmopolis.
A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, "even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes."
“I’m used to writing in very weird contexts.” Poet Brian Sonia-Wallace talks with Minnesota's Star Tribune about his gig as the Mall of America's first-ever writer in residence. Asked if he'll go crazy during his several-day-long tenure, Sonia-Wallace answered “probably” (via Bookforum). Our own Marie Myung-Ok Lee had some opinions back when the residency was first announced.
Last year, Netherland author Joseph O'Neill helped open the Maya School, a school for Syrian refugee children in Turkey. Now he's asking for donations of additional funds to keep the school operational. "We have set up a transparent and cost-effective partnership with Turkish counterparts of great integrity and knowhow," O'Neill writes. "Of the $16,000 we raised last year, $3000 still remains. That tells you how far your dollars will go."
“I’m writing about people. Man involved in the human dilemma, facing the problems bigger than he, whether he licks them or whether they lick him. But man as frail and fragile as he is, yet he will keep on trying to be brave and honest and compassionate, and that, to me, is very fine and very interesting — and that is the reason I think any writer writes.” William Faulkner on why writers write in a rare recording from the University of Virginia, via Brain Pickings.
The Toast is nearing the end of its long, hilarious run. Hurry up and check out the new pieces while you still can -- like this helpful guide as to whether or not you are in a Regency-era novel written after the end of the Regency, full of dead giveaways like: "There is lace at your throat and wrists and disdain in your eyes and heart."
According to this week's New York Magazine Approval Matrix, our own Kevin Hartnett's article from two weeks ago is a highbrow yet despicable piece of writing. What makes it so despicable, you ask? Apparently they blame Professor Tom Ferraro's adulatory passage on the The Godfather.