Why do we love fiction? The New York Times examines the links between science and literature: “It’s not that evolution gives us insight into fiction … but that fiction gives us insight into evolution.”
“I believe that fiction can help, and if that’s what makes me inevitably a genre writer, that’s okay,” John Green said in a speech at Kenyon College about why we should make art, genre fiction, and bad college hook up experiences. Bonus: Here are Green’s 18 books you probably haven’t read.
Sam Sacks offers up a review of Booker winner The White Tiger by Aravind Adiga for Open Letters“Obama spotted carrying poetry book” – It was Collected Poems 1948-1984 by Derek WalcottThe amazing, exhaustive, 7-part, behind-the-scenes look at the 2008 campaign from NewsweekRahm, Ari, Zeke: Which Emmanuel brother are you?In case you weren’t already tired of this… the n+1 vs. the lit-blogs row of early 2007 lands in an academic journal. Our own contribution to the saga is duly noted.Wyatt Mason offers more thoughts on John Leonard (via Conversational Reading)Malcolm Gladwell’s latest, The Outliers, hits stores a week from today. Gladwell introduces the book in a video at Amazon (scroll down a bit).Oxford researchers figure out the ten most annoying phrases.And the New Oxford American Dictionary has named its Word of the Year: hypermiling.As we remember Michael Crichton, “The Top 5 ‘Crazy’ Michael Crichton Ideas That Actually Came True“Nam Le wins the Dylan Thomas Prize. We interviewed him in August.
“When it started almost 15 years ago, [Google Books] … seemed impossibly ambitious,” writes Scott Rosenberg. “An upstart tech company that had just tamed and organized the vast informational jungle of the web would now extend the reach of its search box into the offline world.” But these days, Google’s moonshot has turned into a “mundane reality.” How?
Ralph Waldo Emerson called him “the jingle-man.” Henry James called his work “decidedly primitive.” Yet Edgar Allan Poe, nearly two centuries after his death, is now acclaimed as a writer on par with his best contemporaries. How did his reputation evolve? In the Times Literary Supplement, Marjorie Perloff reviews a new study of Poe by Jerome McGann.
“Her poems shimmer most when they reflect on the yearning to rebel against the constrained space granted to women’s voices in literature and life.” On her 126th birthday, The Guardian argues that Edna St. Vincent Millay‘s poetry — not her reputation — should be remembered and celebrated. Pair with: an essay on being an uneasy, untamed women writer.