Why do we love fiction? The New York Times examines the links between science and literature: “It’s not that evolution gives us insight into fiction … but that fiction gives us insight into evolution.”
One of the best parts of last month’s Cullman Center discussion between John Jeremiah Sullivan and Wells Tower was watching JJS carry on the conversation while sipping from a highball glass of whiskey. The essayist’s Southern roots and Irish ancestry of course make him no stranger to potent potables, which is why Danny Nowell’s “John Jeremiah Sullivan” cocktail is so appropriate.
“The first section of the book inevitably ends up taking on a Rashomon-ic quality, as Sotatsu’s father, mother, brother and sister all get their say about what transpired during his time in prison, along with a prison guard who observed him. But [Jesse] Ball doesn’t let them fall into the he said-she said realm of one-note characters — these are fully fleshed-out people, whose thoughts, emotions and agendas are as real (and sometimes as contradictory) as your own.” On Silence Once Begun.
Out this week: Exit West by Mohsin Hamid; South and West: From a Notebook by Joan Didion; All Grown Up by Jami Attenberg; Ill Will by Dan Chaon; The Accusation by Bandi; The Night Ocean by Paul La Farge; and American Berserk by our own Bill Morris. For more on these and other new titles, go read our most recent book preview.