I’m a little late to this one, but Ruby Vassar at the Vroman’s Bookstore Blog ran a pretty funny April Fool’s Day post.
Saving Borders Bookstore
Where’s Ursula?
Recommended Reading: “Ursula’s Curse,” an excerpt from a forthcoming Eugene Lim novel. The piece’s protagonist seems less concerned with the end of his life (and maybe the human race) than he is with remembering an artist who tried to reach “a limit to the art market’s baseness.”
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A Fine Statement
This piece on the limited language of David Lynch from Dennis Lim over at The New Yorker is a fascinating journey into the mind of the peculiar auteur behind such gems as Eraserhead and Twin Peaks. Lynch will be publishing what he has called a “quasi-memoir” sometime in 2017.
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Donohgue and Cunningham at Symphony Space
In New York? Visit Symphony Space tonight (12/6) at 7:30 PM to see Emma Donoghue in conversation with author Michael Cunningham. Donoghue’s Year in Reading entry appeared here today.
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Sargent and Friends
In the latest issue of The New York Review of Books, Jean Strouse brings us inside John Singer Sargent’s inner circle. The exhibition, “Sargent: Portraits of Artists and Friends,” is on view at the New York Metropolitan Museum of Art until October 4th. You could also read Edra Ziesk’s piece on what makes a friend.
Unearthing Neruda
20 unpublished poems by Pablo Neruda were recently discovered. You can read one (in Spanish) over here. The poems will be published in Chile this year, and in Spain next year. Meanwhile, a local judge is not quite ready to abandon his probe into whether or not Neruda was poisoned – a theory that’s been reported for quite some time now.
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The Year of Only Publishing Women
“When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge.” And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.