At the LA Times, Scott Esposito gives David Lipsky‘s Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace a mixed review.
Errol Flynn was unique. Quick with a quip, the Australian-born silver screen swashbuckler (and current Tumblr heartthrob) had such immortal lines as, “I like my whiskey old and my women young.” Fans have long been drawn to the actor’s incredibly interesting life—much of which was relayed in his posthumously published autobiography My Wicked, Wicked Ways—so the Cuban National Archive’s uncovering of previously lost footage from his film Cuban Story should excite many of them.
“What if, instead of simply critiquing Go Set a Watchman’s failure, we tried to analyze it? The new, older work makes more sense if we read it as an attempt to accomplish two tasks: first, to master—unsuccessfully, it turns out—the smart-magazine style that Harper Lee developed in her student journalism; and second, to write in a genre that often relied on the ironic elisions typical of ‘smart style’: the midcentury social-problem novel.” Tom Perrin on Harper Lee and the social novel. Pair with Michael Bourne’s Millions review.
Lucy Madison asks how the 25 National Magazine Award nominations went to 25 male writers and discovers it may be because fewer women write long-form journalism, “particularly at those publications that tend to get nominated for National Magazine Awards.”