At Condalmo, Matthew Tiffany‘s review of David Lipsky’s new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: “You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it.”
Paula Fox, celebrated novelist and winner of the 1983 National Book Award (among other honors), died this week. Contributing to our Year in Reading series two years ago, Parul Sehgal said she couldn’t stop rereading Desperate Characters, perhaps Fox’s most popular book for adults. “It’s really a wallop of a book,” Sehgal wrote. “A barbed portrait of a marriage, not to mention a brilliant take on gentrification, white fears of black and brown people, the hostile insularity of the nuclear family, and how power reproduces and how power conceals itself.” (Bonus: Dominic Smith wants to send a scene from that novel into space.)
Over at Words Without Borders, Esther Allen considers how to translate a song. As she puts it, “A song that almost everyone in a given culture at a given moment knows is a unique cultural artifact, a crystallized collective experience, a profound trigger that sets off a complex string of shared emotions.” Pair with Magdalena Edwards’s Millions essay on songs as triggers.
To add to the awards lists, Believer has announced its editors’ shortlist for the Believer Book Award, which looks to acknowledge “the strongest and most underappreciated” novels of the year. The shortlist includes Danielle Dutton’s Sprawl; Kira Henehan’s Orion You Came and You Took All My Marbles (reviewed for The Millions); James Hynes‘ Next, Grace Krilanovich’s The Orange Eats Creeps (reviewed for The Millions); and Paul Murray’s Skippy Dies (reviewed here).
As part of its 2013 literary awards, the PEN American Center will grant nearly $150,000 to writers, editors, and translators through sixteen different awards and fellowships, and for the first time ever they’ve decided to publish their shortlist online. Among the finalists is Sergio De La Pava, whose novel A Naked Singularity is up for the $25,000 PEN/Robert W. Bingham Prize for a debut work. You might recall our own Garth Risk Hallberg’s profile of De La Pava last summer, and you can catch a glimpse of the author’s next book on our Second-Half 2013 Book Preview.
How many writers actually know how a word processor functions? Chances are the answer is: not many. At Page-Turner, our own Mark O’Connell examines this odd state of affairs, which he became more cognizant of after reading Vikram Chandra’s new book, Geek Sublime.