At Condalmo, Matthew Tiffany‘s review of David Lipsky’s new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: “You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it.”
On The Road With DFW, Part II
The Ministry of Fear
“One thing that could have made this story end differently is if the United States had a significant cultural policy. We have a trade policy – we protect industries we value – and we have an anti-trust policy designed to protect consumers. We have arts and humanities endowments that assist institutions. But our cultural policy is mostly to let culture fend for itself in the open market. It works great, but sometimes it doesn’t.” Salon looks at what Amazon, the Penguin-Random House merger, and the imposition of capitalism to culture might mean for literature at large.
Multi-Talented Nick Cave
You have to be a little in awe of the multi-disciplinary artist. Musician Nick Cave, who made his screenwriting debut with The Proposition, talks to the New Yorkerabout his new novel, The Death of Bunny Munro, as well as the multi-media audio book version.
A Little Late
“[T]he school has calculated that the overdue fine would have been £7,446.” Granddaughter returns her grandfather’s library book after 120 years, is forgiven all late fines, reports The Guardian.
On the Family
Cynthia D’Aprix Sweeney introduces us to a few of literature’s dysfunctional families at Electric Literature. For a loving family relationship, check out an interview with Phillip and Lily Lopate, collaborators on Every Father’s Daughter.
●
●