Writers of facial stage direction, beware: it is not actually the epitome of irony that smiling and crying can seem so oddly similar. At Aeon, Princeton professor Michael Graziono argues that the seemingly opposite gestures may just share evolutionary origins. (Pair with: Darwinist theories about “the evolution of the novel.”)
Christine Sismondo believes bars deserve more credit for “produc[ing] a particular type of public sphere in colonial America.” She discusses her new book America Walks Into a Bar with The Smithsonian’s Rebecca Dalzell.
“An artist you love occupies a weird in-between place, where they’re somehow a little more than a father, but a little less than a neighbour. They can permanently re-organize your consciousness but they can’t sell you a Coke. You feel you know them more than anyone you actually know, which means that you don’t really know a damn thing. I feel I know Elliott Smith, but if I picture him in front of me, I find myself picturing a tiny figurine, or Mount Rushmore.” Sasha Chapin has written an intensely personal essay about Elliott Smith for Hazlitt. Here is The Millions’ own Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.
Shakespeare is required reading for the would-be literary scholar, yet with so many articles, books and monographs on the Bard in circulation, it might be time to ask: have English professors finally said all there is to say?
Like bestseller lists? The Book Standard’s giving them away for free for the next two weeks.Alibris is bought by a private equity firm. PW article suggests Abebooks could be next. (via BookFinder blog)Small publishers book big rewards (via Mumpsimus), but…Bookshops fall prey to online sales.