“Ah the world, oh the whale!” At The Washington Times, my review of Philip Hoare’s wonderful new anatomy of all things cetacean, The Whale, winner of the prestigious Samuel Johnson nonfiction prize. (ECW)
On the persistent popularity and flexibility of Cinderella, from old folktales featuring talking gourds all the way to the upcoming Disney version, from NPR.
Eileen Myles, the poet and self-described “loudmouthed lesbian (which means mainstream invisible)” has given One Grand Books a list of her ten favorite books from the Djuna Barnes classic Nightwood to John Wieners’s Supplication: Selected Poems. Here’s a complementary Millions essay on Eileen Myles and the fugitive form.
All of us have particular words that we use a little too often. Writers tend to be embarrassed about their predilections for certain turns of phrase. At Slate, Matthew J.X. Malady reacts to the news that he uses iteration too much, and delves into the ways our verbal habits spread to others.
“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
Reading War and Peace was always a challenge, but how much harder is it in an age of constant distraction? At Salon, Mike Harris, a self-confessed distraction addict, writes about his experience tackling the Russian classic. You could also read our own Kevin Hartnett on the book’s effect on perception.