Our friends at More Intelligent Life tot up the most common titles found on New York’s street-corner book stalls.
“The so-called ‘alt-right’ is white nationalism repackaged as retro-chic, and its discourse constantly invokes nostalgia for a golden age in the Confederate South when racism when reigned supreme. The leaders of this project will need to be very careful that they don’t end up just creating a Disneyland for racists.” A coalition of local businesses in Monroeville, Alabama, Harper Lee's hometown, plan to open a major tourist attraction built around the late author's home and fabrications of fictional locations featured in To Kill A Mockingbird. Critics are dubious, reports The Guardian. Perhaps, in lieu of a trip, you'll accept this essay by Robert Rea about his literary pilgrimage to Lee-land?
Sara Nović writes for The Believer about the deaf protagonist of Stephen King’s The Stand. As she explains it, “This is the plight of the average deaf character: to be plagued by the hearing author’s own discomfort with the idea of silence.” Pair with Lydia Kiesling’s Millions essay on King.
"And now An American Marriage, with its ruminations on masculinity, married life, and what constitutes marital debt, manages the trick of arriving at the right time while also feeling utterly untethered to just one era." BuzzFeed News profiled writer Tayari Jones about her life, oeuvre, and fourth novel, An American Marriage. Pair with: Jones's 2017 Year in Reading entry.
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the "Elmore Leonard paradox" in The Atlantic. "Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir." Pair with: Our own Bill Morris's essay on why Leonard was such a good writer.