On the occasion of its first anniversary, The Second Pass founder John Williams gets interviewed by VQR. “I realize I’m not making a convincing case for the Luddite thing. You’ll just have to trust me.”
The Second Pass Interviewed
Why Are Writers Paid So Little, and Programmers Paid So Much?
“And so despite my esteem for the high challenge of writing, for the reach of the writerly life, it’s not something anyone actually wants me to do. The American mind has made that very clear, it has said: ‘Be a specialised something — fill your head with the zeitgeist, with the technical — and we’ll write your ticket.’”
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The Fellowship of the Round Table
Next May, HarperCollins will publish a never before seen J. R. R. Tolkein poem, entitled The Fall of Arthur and based on Arthurian legend, not Middle-earth.
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The Pen Reveals
What does handwriting tell us about its author? The Atlantic investigates. Our own Kevin Hartnett explains why he writes by hand.
On Blackness
Over at the Literary Hub, Morgan Jerkins writes about the struggle to describe blackness. As she puts it, “My hope is to create imperfect, multitudinous black women who are more in tune with themselves than their audiences.” Pair with our own Michael Bourne’s list of books that “shed light on the history and evolution of racism in America.”
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John Berger, In Memoriam
The British critic, essayist, and novelist John Berger died yesterday at his home in France, reports The New York Times. Probably best known for his book of art-criticism-as-philosophy Ways of Seeing, which was turned into a popular BBC series and sold more than a million copies, Berger also won the Booker prize for G. in 1972 and was nominated again in 2008 for an epistolary novel, From A to X. The Guardian has rounded up some of his quotes, including the apt-feeling “[h]ope is not a form of guarantee; it’s a form of energy, and very frequently that energy is strongest in circumstances that are very dark.”
Triumph of the Vanity Press?
Is Sergio de la Pava‘s A Naked Singularity the first great self-published novel of the new century? Aren’t you at least a little bit curious?
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Partying Tomorrow
David Naimon interviews Rob Spillman, editor of Tin House and author of All Tomorrow’s Parties. Spillman discusses his favorite issue of Tin House with Nick Ripatrazone at The Millions.