At The Morning News, Rooster hosts Kevin Guilfoile and John Warner lay out “The Pre-Game Primer” for the Tournament of Books. The action kicks off tomorrow.
William T. Vollmann has a new book out, Riding Toward Everywhere about riding freight trains. In what must be a first for Vollmann, the Washington Post describes the book as a “modest little volume.”The New Yorker held a contest to reinterpret Eustace Tilley, its “iconic dandy.” The entries are posted on Flickr.The anxiety brought on by selling books to the used bookstore.The Atlantic website goes free. Everything back to 1995 is available.n+1 interviews a hedge fund manager. It’s surprisingly fascinating (if you skim the technical stuff).Also in the world of big money, a record was broken on Monday. As global markets plummeted, French bank Societe Generale was selling frantically. The bank had just discovered that an employee had fraudulently lost $7.2 billion, believed to be the most ever by a “rogue trader.”
What happens when a literary fiction writer tackles YA? If that writer is Sherman Alexie, he produces an award-winning book that rivals the quality of his books in other genres. At the Ploughshares blog, Annie Cardi writes about writers who’ve made this transition, including Alexie, Roddy Doyle and Louise Erdrich. You could also read our survey of high school students on the best YA books of 2013.
Good news for all the Neil Gaiman fans out there–a new, four-part television series called Neil Gaiman’s Likely Stories is set to begin filming in November. The series will focus on a selection of Gaiman’s short stories and feature a singular ensemble cast throughout. This should whet everyone’s appetite for the long-awaited television adaptation of American Gods, which is set to begin production sometime in 2016.
“Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business….” Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)