The second issue of Chicago’s crackerjack The Point, having thrown caution to the wind, tackles the prickly genius of Michel Houellebecq: “Houellebecq has published four novels, all of them bitter and miserable.”
What’s behind the rise of the new-adult genre of fiction? You could blame the rise of Millennials, but that would be, as Emily Landau argues in a piece for the Canadian magazine The Walrus, too cheap and reductive to really answer the question. Instead, she says that we should look at NA as fundamentally similar to YA, with the main difference being that NA books portrays characters on the cusp of independence. (Related: we polled a group of high school students to find out their favorite YA books of 2013.)
“‘Moby Dick is one of my favorite books, but let’s face it — it’s a hot mess,’ says Evison. ‘If I had software that said, ‘Look, maybe this four-page essay on scrimshaw isn’t gonna fly with your 28 to 40 male [demographic],’ what would we have lost with that? Sometimes, you know, it’s just got to be a little bit of a dictatorship.'” When e-readers and marketing tactics collide.