The second issue of Chicago’s crackerjack The Point, having thrown caution to the wind, tackles the prickly genius of Michel Houellebecq: “Houellebecq has published four novels, all of them bitter and miserable.”
"Maybe the optimists are right; maybe poetry does help you live your life. And maybe they are more right than they know, and it rounds you out for death." Andrew O'Hagan writes for The Guardian about falling in love with poetry and coming to see the poet as "a risk-taker, a miracle-maker, a moral panjandrum and a convict of the senses."
James Gleick talks to one of the software engineers behind autocorrect, that "impish god" responsible for turning our ids to I'ds and moviestars to Natalie Portmanteaus. In response, Jen Doll wonders whether we love to hate autocorrect "because when it messes up we're happily reminded that phones and computers are not actually smarter than people."
Amazon just announced a new program entitled Kindle MatchBook, “giv[ing] customers the option to buy—for $2.99, $1.99, $0.99, or free—the Kindle edition of print books they have purchased new from Amazon.” MatchBook will include purchases made as far back as 1995, so you are officially out of excuses when it comes to cracking that lofty, intimidating TBR pile in your house.
Half-meme, half-myth, 'Slender Man' came to us from the same internet that brought LOLcat, doge, and Rule 34. After the surreal stabbing of a 12-year-old girl by two other children claiming they were acting on his behalf, this particular story has taken on a tragic resonance. In The Semiotic Review, Jeffrey Tolbert argues that Slender Man took hold because of the documentary nature of internet 'evidence'. As one Something Awful blogger put it, "Even if we don’t really believe in [Slender Man], we are cutting him out and sewing him together. We’re stuffing him with nightmares and unspoken fears. And what happens when the pictures are no longer Photoshops?" Very meta--and very scary, all over again.