Henry Holt & Company stopped printing and selling Charles Pellegrino‘s The Last Train From Hiroshima last week, following allegations of fraudulent sources and fabrication in the work. The New York Times examines the debacle: “If book publishers are supposed to be the gatekeepers,” novelist and Studio 360 host Kurt Anderson asks, “tell me exactly what they’re closing the gate to.”
"So much has been written about New York City as a city of histories—rich and public, deep and private. Commerce and bodies ebb and flow. For every New Yorker, there is a ghost city under the tangible one; this second, invisible layer contains the tangled web of memory and geography. I certainly have my fair share of associative ghosts; we all do. But New York City is also a city of forgetting, for better and for worse, and often against our best wishes." Anna Wiener on the coping strategies of New Yorkers.
"[YOU can only speak to what you experienced outside several seconds after your coworker entered the building, but several seconds before YOU yourself reached your cubicle. YOU do not know if it is in fact still raining out. YOU say nothing and are forever plagued by the unknowable nature of the immediate present.]" These short existentialist plays starring you and your coworkers are sure to stir up some feelings of gloom, doom, and familiarity.
Writing Workshops LA – which was founded by our own Edan Lepucki – is hosting “The Conference” on June 28 of this year, and the day-long event will consist of “educational and thoughtful panel discussions as well as smaller, in-depth presentations and workshops aimed at informing and inspiring every attendee.” Presenters will include award-winning literary agents, editors, and writers including Joanna Rakoff, Adam Wilson, David L. Ulin, Counterpoint’s Dan Smetanka, and Daniel Gumbiner of McSweeney’s. Don’t miss your chance to sign up for the early bird special before April 15th – the first 40 attendees will also get an invitation to a literary pub quiz event the night before.
There was an article in the New York Times on cook book ghostwriters, and it called Gwyneth Paltrow out for not writing My Father's Daughter. Then the actress cum gourmand denied having worked with a ghostwriter in a tweet. Now Sari Botton, a frequent ghostwriter, has tried to clear the whole thing up in an essay on The Rumpus on why ghostwriting is such a fickle business, and a tricky term.
The recent opening of the Jeff Koons retrospective at the Whitney Museum of American Art has occasioned a number of rave reviews. They’re so good, in fact, that they’ve inspired Los Angeles Times writer Carolina A. Miranda to comb the write-ups for “evocative turn[s] of phrase, political metaphor[s], and references to lady parts” in order to assemble a standalone poem. Or, rather, it was standalone until artist William Powhida made a drawing out of it. (Full size drawing here.)