Torpedo, the beautifully designed and illustrated Australian fiction quarterly that has featured Jim Shepard, Sheila Heti, Clancy Martin, and yours truly, now becomes the first of its kind to be fully Kindled. Copies are $2.99 here.
“Welty and Millar struck up an epistolary friendship that endured until his death in 1983, exchanging some 345 letters. Even after the onset of Alzheimer’s disease left Millar unable to reply, Welty wrote him.” On the enduring friendship and almost-romance of Eudora Welty and Ross MacDonald from The Paris Review.
“We all read from different places, different backgrounds, and my meeting with Proust or Woolf, or Lydia Davis or J. M. Coetzee, will not be yours, nor should it be. On the other hand I do believe reading is an active skill, an art even, certainly not a question of passive absorption. … [so] there must be techniques and tools that everyone can use or try, even if we use them differently.” Tim Parks explains how he reads for The New York Review of Books.
A few weeks ago, our own Nick Moran wrote about the closing of Maxwell’s, a Hoboken landmark that doubles as a restaurant and concert space. Now, at The Paris Review Daily, Josh Lieberman goes to the venue’s last Feelies concert, pointing out that “in no way is Maxwell’s an ideal place to see a show, except that it is.”
At The Awl, Noah Davis provides an honest overview of how difficult it can be to earn – or fail to earn – a living from freelance internet writing. Perhaps would-be freelancers should take a cue from Ian Hamilton’s 1998 London Review of Books essay in which he espoused the benefits – or perils – of accepting prizes and other literary subsidies.