Torpedo, the beautifully designed and illustrated Australian fiction quarterly that has featured Jim Shepard, Sheila Heti, Clancy Martin, and yours truly, now becomes the first of its kind to be fully Kindled. Copies are $2.99 here.
Short Stories for your Kindle
What’s So Great?
“Diversity matters. Not only in what we look like, or what religion we practice, or in whom we love, but also in how we live our lives, including the order in which we go about things, the seasons in which we are able to create art.” Robin Black wonders “What’s So Great About Young Writers?” in a piece for the New York Times. Pair with our own series celebrating writers who got their start after 40.
Tuesday New Release Day: Mandel, Caro, Freudenberger, Fountain, Bechdel, Coll
Our own Emily St. John Mandel’s new novel The Lola Quartet is out today. New Yorkers can see her (and some other Millions staffers) read on Sunday. Also out are Robert Caro’s latest installment of his LBJ biography, Nell Freudenberger’s The Newlyweds, Billy Lynn’s Halftime Walk by Ben Fountain, Are You My Mother? by Alison Bechdel, and Steve Coll’s oil industry exposé Private Empire: ExxonMobil and American Power.
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“The quality of detaching itself from its period”
“For a man who is making his living as a critic to write about Scott Fitzgerald without mentioning The Great Gatsby just means that he doesn’t know his business. Many people consider The Great Gatsby one of the few classic American novels. I do myself. Obviously such a judgment is debatable.” The New Republic digs up a tribute by John Dos Passos.
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A Voice of Gravitas
Claire Vaye Watkins’s essay on pandering has gotten a lot of responses, including one from Man Booker Prize winner Marlon James. Over at NPR, they discuss the issues of sexism and racism in publishing, cultural ventriloquism, narrative authority, and more.
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Inventing Language
From J.R.R. Tolkien‘s High Elvish to Anthony Burgess‘s Nadsat: the BBC takes a survey of fictional languages and the invented words that made it into our everyday speech, like Dickens‘s “butterfingers” and Shakespeare‘s “scuffle.”
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