Ahead of National Poetry Month, Publishers Weekly Poetry Reviews Editor Craig Morgan Teicher asks and answers the questions many have contemplated: “What is accomplished by poetry reviews? Do they help sell books? Do they keep the art form in line? Do they spur writers into creating better poetry or kick bad writers out of the halls of Parnassus? Do poetry reviews help readers?”
Poetry Reviews: What for?
“I knew what I wanted to do all my life. I wanted to write senior theses.”
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Kandy Kakes and Pathologies
Is anyone else hungry, now? Caution: this review of Alexandra Kleeman’s You Too Can Have A Body Like Mine from The New Inquiry is a real appetite inducer.
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Holiday OuLiPo
This holiday season, show a little restraint. Write a short short that uses each word only once, and email it to [email protected] by December 31 at midnight for your chance to win Electric Literature vol. 1 and be published on their blog, The Outlet. Further details available here.
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“No one remembers Mr Coffee Nerves”
“Suddenly I couldn’t believe/you have to put it back,/must be intelligent,/bring sandwich money,/whether British or American.” Three new poems by John Ashbery.
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A Time of Scarcity
“I realized that there was something wrong with an arrangement whereby a relatively affluent person such as I had become could afford to write about minimum wage jobs, squirrels as an urban food source or the penalties for sleeping in parks, while the people who were actually experiencing these sorts of things, or were in danger of experiencing them, could not.” Barbara Ehrenreich on writing about poverty.
Moco Loco
On the new food-writing website Toque, Elina Shatkin takes chefs Jon Shook and Vinny Dotolo (owners of Animal, the wonderful L.A. restaurant exalting all things meaty) to try moco loco.