Ahead of National Poetry Month, Publishers Weekly Poetry Reviews Editor Craig Morgan Teicher asks and answers the questions many have contemplated: “What is accomplished by poetry reviews? Do they help sell books? Do they keep the art form in line? Do they spur writers into creating better poetry or kick bad writers out of the halls of Parnassus? Do poetry reviews help readers?”
Kirkus Reviews is launching a new literary prize this year with a hefty purse and an even more eye-catching process. Instead of relying on publishers or judges for a longlist, they’ll automatically nominate any book that wins a Kirkus Star—about 10 percent of those reviewed—and award three annual prizes of $50,000 to the best fiction, nonfiction, and young readers’ literature. But the big news is that self-published books will also be eligible.
American Short Fiction’s managing editor Jess Stoner is reading local newspapers from one state a week and reporting on the big headlines in a better attempt to understand America. As she puts it, “Not to snark, not to make fun of people from unincorporated towns who write letters to the editor, but to share with you a more complicated, less yell-y look at where we are, with the hopes of better understanding where we might be headed.” The first state is Alabama.
As if the ebook juggernaut didn’t already have enough steam behind it, The Washington Post says that, “perusing electronically will lighten your environmental impact.” You see, “every time you download and read an electronic book, rather than purchasing a new pile of paper, you’re paying back a little bit of the carbon dioxide and water deficit from the Kindle production process.”
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.