Ahead of National Poetry Month, Publishers Weekly Poetry Reviews Editor Craig Morgan Teicher asks and answers the questions many have contemplated: “What is accomplished by poetry reviews? Do they help sell books? Do they keep the art form in line? Do they spur writers into creating better poetry or kick bad writers out of the halls of Parnassus? Do poetry reviews help readers?”
Poetry Reviews: What for?
Whatever was wrong with Hemingway
In the wake of Jonathan Franzen‘s much discussed New Yorker essay on Edith Wharton, Laura Miller defends readers who look to an author’s life to aid their understanding of a given work: ” Byron’s clubfoot, Flannery O’Connor’s lupus, Coleridge’s opium addiction and whatever was wrong with Hemingway do interest many readers because these factors shaped the life experiences from which the great work sprang.”
What Scares You
“If what you’re writing doesn’t scare you, you probably ought not be writing it.” The Rumpus interviews Josh Weil, author of The Great Glass Sea.
The Modern Memoir
Recommended Reading: On the memoir, “the offspring of the slave narrative,” as a literary form from the Black tradition. Recent examples range from Ta-Nehisi Coates and Margo Jefferson to Clifford Thompson and Rosemarie Freeney.
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Gently Simmer
What’s In A Name?
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The World According to Zadie
The first reviews of Zadie Smith‘s new collection of essays, Changing My Mind, are in and the general line’s a non-committal, guarded praise. I think it’s wunderkind jealousy, myself. Voici: The L.A Times review and The San Francisco Chronicle review.
And Thus Completes Our Robert A. Caro Coverage
Even if you read and watch all of these pieces about Robert A. Caro, it’ll still amount to only a fraction of the time necessary to read one of his books. So here goes: a typical Sunday for Mr. Caro; not one but two fake Caro Twitter accounts (plus a real one); Mr. Caro stops by The Daily Show; and The Passage of Power gets reviewed by us, NPR, The New York Times, The New York Review of Books, and The Wall Street Journal.
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